Threads 1451 to 1500 of 10171
I don't have a "shtick". I just have an aversion to BS and misinformation, and so I call it out. But if I'm so manifestly wrong, correct me.
and to answer the question … there’s a triplet subdivision that is common at certain tempos, it straightens out at faster tempos, the quarter note triplet, articulation, articulation, articulation,...
Thanks for that …. Beautiful player , wonderful phrasing , lovely chromatic lines
Not sure what you mean by patterns here but yes you can't outline the changes of a tune by playing one scale up and down the fretboard. Most chords will have specific notes that would be outside of...
oh I must have misunderstood: etc etc Your shtick gets old too.
The sarcasm gets old mate. Nobody is a "know-nothing". It's possible to over-complicate a simple thing. It's a triplet. There can be an entire world in that triplet, but it's a triplet at its...
Hammer better watch out, there's a new chair in town! :topsy_turvy:
There's an entirely different approach that might be worth trying. Pick a song and strum the chords. Scat sing along with the chords. When you sing something that sounds good to you figure out...
lol … so the triplet can be made more of a triplet, less of a triplet, a faster triplet, a slower triplet, or not a triplet, but you’re all goobers and know-nothings for saying it’s more complicated....
I have mostly tube amps, but I also have a Little Jazz. I would probably mostly use a Fender variant to gig (BFDR, Fat Jimmy Gigmaster 20), but a LJ would certainly work. In fact I would probably...
I can noodle up and down the neck all day in a key by using Jimmy Brunos positions. Albiet a bit ho hum sounding. The problem i have is not knowing what im playing at any given time. If i lose my...
Pat Metheny Octave Displaced diminished dominant lick, inside/outside This is something I stole off one of the Pat Metheny trio albums. Normally metheny doesn't use dim/dominant vocabulary,...
https://www.youtube.com/watch?v=dfxMV6JrdF0
Pitfalls of Patterns
Today, 06:06 PM in Improvisation