The Jazz Guitar Chord Dictionary
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  1. #101

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    Quote Originally Posted by Christian Miller
    Hey - is this thread rerunning the paradigm shift in 18th/19th century music theory from the study of harmonised bass lines to chord progressions based on root movement and functions?

    As a generalbaß fundamentalist I must therefore say - filthy Rameau-ite

    Down with fundamental bass!


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    I'm still looking for phlogiston.

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    The Jazz Guitar Chord Dictionary
     
  3. #102

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    Quote Originally Posted by brent.h
    Do it! More than happy to participate.
    For real man, I've finally got an acoustic archtop too.

  4. #103

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    Quote Originally Posted by John A.
    I think your certainty and dismissiveness about this is misplaced.
    I'm sure it is. So is my missiveness usually :-)

    Sorry, bored now, I just want him to play it.

  5. #104

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    Quote Originally Posted by mr. beaumont
    Summer of Rhythm 2026: LETS TAKE A WALK.
    Quote Originally Posted by brent.h
    Do it! More than happy to participate.
    Quote Originally Posted by AllanAllen
    For real man, I've finally got an acoustic archtop too.
    Yes, a "Summer of Rhythm 2026: LETS TAKE A WALK" would be fantastic, I have plenty of acoustic archtops and a lot to learn.

  6. #105

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    what does it mean?

  7. #106

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    Quote Originally Posted by GuyBoden
    I use music notation to remind me of what chord voicings I use for each specific song, because I constantly forget them. The chord names are not really as important to me as the voicings.

    I'm only hobby player, obviously.
    Well then, it was probably not necessary or useful to start this thread (given that you're really just explaining things to yourself), but at least we got a few arguments and rants out of it.

  8. #107

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    Quote Originally Posted by Christian Miller
    Hey - is this thread rerunning the paradigm shift in 18th/19th century music theory from the study of harmonised bass lines to chord progressions based on root movement and functions?

    As a generalbaß fundamentalist I must therefore say - filthy Rameau-ite

    Down with fundamental bass!


    Sent from my iPhone using Tapatalk
    You bastard, you're going to make me try to understand figured bass again.

  9. #108

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    Quote Originally Posted by joe2758
    what does it mean?
    I mean the summer rhythm thing?

  10. #109

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    As far as I know (thanks to AI):

    Summer of Rhythm 2026: LET’S TAKE A WALK is the theme for an elementary-level summer school music concert series.
    The concert series is divided into structured, rhythmic performance segments designed for different primary school grade levels:


    • Grade 1 Segment: Focuses on early movement and interactive music. Songs include "I am a beam of Sunlight", "Sing and Ring", and "The Bunny Trail".
    • Grade 2 Segment ("Take a Walk"): Features the core routine, "Take a Walk 2", alongside coordinated performance pieces like "Don't Sit Still" and "Cool Waters".
    • Grade 3 Segment: Shifts into vocal and instrumental performance, utilizing ukulele backing tabs and tracks like "Believe me if all those endearing young charms", "Carry the Good", and "I just wanna dance".


    The program is curated as a structured musical curriculum to teach children steady tempo, choral singing, and basic choreography before they showcase their routines live.
    I ain't showcasing no Bunny Trial, that's for sure.

  11. #110

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    Quote Originally Posted by joe2758
    I mean the summer rhythm thing?
    Mr B annual summer tradition is the summer of rhythm guitar.

    sounds like he’s thinking about a summer of walking bass rhythm guitar

  12. #111

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    like 4 to the floor but a new chord on every beat? damn haha that's a lot for a whole tune

  13. #112

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    Quote Originally Posted by joe2758
    like 4 to the floor but a new chord on every beat? damn haha that's a lot for a whole tune
    on guitar not the worst thing … think about how much space you could fill with something simple like side slipping

  14. #113

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    Quote Originally Posted by John A.
    Well then, it was probably not necessary or useful to start this thread (given that you're really just explaining things to yourself), but at least we got a few arguments and rants out of it.
    I did learn more about three note chords during this thread, their function and naming convention, which is important.

    Also, I think I learnt many other things too as the thread progressed, but not necessarily about music, more about Online Angry People like Ragman.

    Dealing with Online Angry People

    "To effectively deal with angry people online, active listening and empathy are crucial; acknowledge their feelings and respond in a calm, respectful manner. This approach can help defuse tension and foster a more positive interaction."

  15. #114

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    Quote Originally Posted by GuyBoden
    Dealing with Online Angry People

    "To effectively deal with angry people online, active listening and empathy are crucial; acknowledge their feelings and respond in a calm, respectful manner. This approach can help defuse tension and foster a more positive interaction."
    Ain’t nobody got time for that.

  16. #115

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    The Summer of Rhythm has nothing to do with elementary school music...

    It's a playing group--not a study or teaching group really. It's an exploration of classic rhythm guitar style, 4 to the bar, Freddie Green-ish in nature. All you have to do to participate is play some rhythm guitar. Muse on the topic...what have you discovered...talk about stuff you figure out that you like, post questions...it's just an exploration and a deep dive into a very specific thing...This summer we'll focus on getting the those chords to "move" a bit. Forward motion and all of that.

    Here's the 2024 edition.

    The Summer of Rhythm Guitar 2024


    Biggest rule is don't put too many rules or parameters on it.

  17. #116

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    Quote Originally Posted by joe2758
    like 4 to the floor but a new chord on every beat? damn haha that's a lot for a whole tune
    It's generally not practical--or a very good sound while someone else is soloing, often too busy, in my opinion. And certainly never if there's a bass player walking too. A special occasions deal. But fun.

  18. #117

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    Quote Originally Posted by joe2758
    like 4 to the floor but a new chord on every beat? damn haha that's a lot for a whole tune
    Have you not heard the likes of the greats - Pass, Ellis, Taylor, Stewart, Pizzerelli etc using the technique?

  19. #118

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    Quote Originally Posted by garybaldy
    Have you not heard the likes of the greats - Pass, Ellis, Taylor, Stewart, Pizzerelli etc using the technique?
    I have, and i am not a great, which is why it's hard...

  20. #119

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    Anyway, I'll give it a try. I have always used 6th string bass notes on every chord for the style. I never really thought about a bassline

  21. #120

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    Quote Originally Posted by AllanAllen
    Am A7 Dm is something I understand.
    That's what it is. The top line first 4 bars are all chord melody in A- and the A or A7 is a secondary dominant going to the D- section.

  22. #121

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    Quote Originally Posted by mr. beaumont
    The Summer of Rhythm has nothing to do with elementary school music...

    It's a playing group--not a study or teaching group really. It's an exploration of classic rhythm guitar style, 4 to the bar, Freddie Green-ish in nature. All you have to do to participate is play some rhythm guitar. Muse on the topic...what have you discovered...talk about stuff you figure out that you like, post questions...it's just an exploration and a deep dive into a very specific thing...This summer we'll focus on getting the those chords to "move" a bit. Forward motion and all of that.

    Here's the 2024 edition.

    The Summer of Rhythm Guitar 2024


    Biggest rule is don't put too many rules or parameters on it.

    Ah yes, the summer of people who just didn't get what the subject is.

  23. #122
    djg
    djg is offline

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    Quote Originally Posted by AllanAllen
    And where is the b7 in A C# E?

    Has anyone in this thread has called it an A7/C#? That's different than A/C#. These little bits matter to the uneducated, and by uneducated I mean myself.
    i guess you have walked up an A7 chord before? or harmonized the first 4 notes of blue monk? voicing starting with R 7th 3rd and walking up to 3rd R 5th? it doesnt matter that there is no 7th in the last voicing. somtimes you just need to get over these little bits

  24. #123

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    It's taught in functional harmony that triads also function as dominant chords.

  25. #124

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    Quote Originally Posted by mr. beaumont
    The Summer of Rhythm has nothing to do with elementary school music
    Why has it got the same name? Pity, I was quite looking forward to the Bunny Trail

  26. #125

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    Quote Originally Posted by John A.
    I'm still looking for phlogiston.
    I think I found some stuck to my bathroom mirror


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