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A/C#
progression
C6 A/C# Dm6
I think so
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05-19-2026 03:18 AM
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I’m confused. You seem to be saying A/C# is more complicated?
Originally Posted by AllanAllen
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I’m a Generalbaß fundamentalist as much as the next weirdo, but in 2026 it is generally understood that the bass note can be different to the root note.
Originally Posted by ragman1
I think we can deal with an inverted A chord going to Dm.
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It probably is actually when you can just stick a C#o in. I mean, what is all this about? It's just a little bass comp thing for Summertime. Very nice too.
Originally Posted by Christian Miller
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Oh, trust me, I really, seriously, don't give a twopenny @*%@.
Originally Posted by Christian Miller
I believe it. You can probably get cream for it.I’m a Generalbaß fundamentalist
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I dunno, going in blind my assumption is he wanted to know what the chord he wrote is called.
Originally Posted by ragman1
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It didn't actually matter, it was a mistake. I'd love to believe he was thinking about A/C# or tonicization or whatever it's called but he didn't. He just forgot to raise the A to Bb to make a dim sound. Poor chap.
By the way, don't think I don't appreciate your super-smart deep theoretical knowledge, I do, but you will keep intruding it into simple situations that don't require it. It's like someone asking how to fix up some shelves and getting an in-depth lecture on advanced structural mechanics.
If you know what I mean.
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If it's a passing chord, I'd call it Joe.... or Charlie, if it passes out.
Originally Posted by GuyBoden
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wtf
Originally Posted by ragman1
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It’s literally an A chord.
Originally Posted by ragman1
Is this thread a punishment for something I did wrong in a past life?
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I'm waiting for the definitive ChatGPT answer.
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It takes humans to be this ridiculous.
Originally Posted by CliffR
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It's not ridiculous to Guy, his comping idea is important to him.
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Yes, we all know that it will sound completely different if the chords are given incorrect names.
Originally Posted by ragman1
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After all this fuss, I've given up on working on my Summertime chart.

And, so again we'll have to use these types of charts:
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No leading note to the iv in this version.
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My super smart theoretical knowledge of being able to recognise an A triad with - oh my god get this - the THIRD IN THE BASS?
Originally Posted by ragman1
And then to be robustly informed that this makes me some sort of ivory tower academic or something?
I don't know what to say. I can be accused of the latter quite often, but here it just seems like you are pulling me leg.
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No. It has been decided that you have too many neurons, and it's time to get rid of some by reading this thread.
Originally Posted by pamosmusic
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My goodness, and people accuse me of making things complicated.
Originally Posted by GuyBoden
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A/C#, these three note chords are widely used and I was taught them by Trefor Owen over 30 years ago.
Below, from the book, "Three-Note Voicings by Randy Vincent", the book adds more complexity to three note chords, it's a book I've learnt from for over 20 years. A great three note chord book IMHO.
Forgive me for using the wrong chord name, I sometimes forget.
Last edited by GuyBoden; 05-19-2026 at 07:37 AM.
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Originally Posted by Christian Miller
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Can you imagine if Jordan Klemons saw this thread?
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Is it possible for you you post some more pages of the Walking Guitar concept pls? (If there are any!)
Originally Posted by GuyBoden
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Copyrights?
Originally Posted by garybaldy
Last edited by GuyBoden; 05-19-2026 at 07:36 AM.
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what else is left?
Originally Posted by joe2758



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