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Originally Posted by rave
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01-07-2017 12:59 PM
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Originally Posted by pants
This may be biting off more than we can chew. For one thing, some lines are well suited to a single position and will be mostly used when one is in that position. Some lines are pretty easy to shift from one shape to another but not so easy to shift to still another. One advantage of the shape system is that you DON'T (tend to) play the same lines out of every shape.
Shape 3 is the oddest one for me. But over time, I've found it useful. There are some great lines played out of that shape in "Rhythm Shapes" and "All the Shapes You Are." It's also good shape for a blues in G because you have the root on the B string at the 8th fret and the 3rd and 5th are handy on the high E string.
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Originally Posted by MarkRhodes
Regarding the positions thing, yeah I didn't actually mean to say that'd be ideal here. But it'd be a cool long term exercise with a choice solo to not only learn it in different positions, but also in shifting positions up and down and all over the place.
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Another possibility is to take one or two shapes and milk them. In the "Blues Shapes" book, the first blues solo Herb plays ("2 Shape Blues", I think) is all played out of just two shapes.
When I started learning the solos in "Swing Blues" I knew what the shapes were but I didn't focus too much on them while playing the lines. (Yeah, that's right, I ignored sound advice...) Now I'm focusing on the shapes and the scale fingerings that go with them. It's helping. (And they said I was beyond help! ;o)
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For listening practice...
Herb has many great blues recordings, but the album "Nothing but the Blues" features a stellar lineup and steady diet of delicious blues tunes.
In particular today I was grooving on his version of Royal Garden Blues (a Charlie Christian classic)
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Originally Posted by pants
Amazon.com: Best of Herb Ellis: Artist Transcriptions for Guitar (9781480383647): Herb Ellis: Books
I have this on the mp3 player I carry on walks, so I hear it at least once a week, sometimes four-five times. Never get tired of it.
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Originally Posted by tbone
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My Internet's been out most of the week. Repair people are out in the yard again today. Some problem with an underground cable. Hope to be back to normal functioning here soon.
Anyone else care to post a take of the first four bars of Herb's "Blues in C" solo?
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Originally Posted by tbone
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Nice, pants!
Glad to see more people posting.
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I'm in !!
Do we have an assignment ?
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Originally Posted by Doublea A
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Can someone re post the "assignments" and timelines. I would love to jump in.
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Originally Posted by Doublea A
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Originally Posted by pants
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Originally Posted by Doublea A
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Originally Posted by Doublea A
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Thanks
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Originally Posted by pants
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Originally Posted by MarkRhodes
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Hhmm, I'll put the schedule in signature, updating it weekly. See how that works. Stay tuned!
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I will have my 12 bars ready for Monday
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Hi there. I have Swing Blues on order, ready to start on 23rd Jan, if all goes to plan.
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Originally Posted by Cjh
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Herb says to keep the shapes in mind while playing the solo. I found this pretty hard to do until I had the lines memorized to the point of playing by muscle memory. At that point visualizing the line laying on top of the basic chord shape is an interesting practice. I'm not sure it's fundamentally different from playing around a certain scale in the position, but does give a bit more focus to key tones without having to devote as much on-the-fly thinking to breakdown of the chord in a theory sense.
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