-
-
06-04-2026 07:09 AM
-
-
Great stuff Brent!
-
Brent, you're really getting that left hand touch that is commonly missing when the style is attempted
-
-
-
I'm talking about the type of strumming Barry G. is doing here. It sure ain't Freddie Green's technique,
and Bob Bain used the same type of strumming on that clip someone posted on the Tonight Show Band.
I'll try to find it.
-
Here's Bain clearly demonstrating that strumming I described in my earlier post.
-
Today's fun...mostly 4th, a little 3rd, on Cherokee.
-
So you're saying that Barry G is starting on the downbeat and alternating all four strokes in the shape of a figure eight for each bar?
Originally Posted by brent.h
Whatever he's doing the guys in the Kenton band preferred him in the rhythm section to Sal Salvador, who was making it hard for Stan Levey to hold the rhythm section together and driving the band at the same time. Levey said "When I was with Stan's band, the rhythm section was not the greatest because the two of them were not very good team players and it put most of the work on my back". The bass player was Don Bagley..
Lee Konitz questioned Salvador's creativity, saying "I wish Sal had felt a little freer about his accompaniment. He made it difficult for me to find more attractive melodies to play". Billy Bauer was his fave guitar player.
Bain is clearly starting the strum with am up stroke. A friend of mine learned that type of strum from watching his teacher, Carmine D'Amico on gigs, and said CD used a kind of stirring (the soup) kind of motion.
-
Like Stan Levey said, "Just be a team player". Wayne Wright said something like that to me when I asked him.
Originally Posted by brent.h
-
Becomes a larger body movement...more like dancing.
Originally Posted by brent.h
-
In its most extreme form, I've heard guitarists employing that pendulum swing to imitate the 'wah' effect of a trumpet section. Accents are played on the backbeats near the bridge to produce a bright, nasal-like quality.
-
A few weeks ago this guy came out to one of my gigs and thought it was a jam session. After feeling him out on break I figured how bad could it be and told the guys he was going to sit in.
Maaaan I was in heaven, locked in with the bass player while sax and trumpet traded solos.
Even on last nights duo gig, I did the head took a solo, bass took a solo and then I said “let’s cruise for one” and we busy comped a chorus together. Really fun to try something new like that on the fly.
-
A little more backyard fun.
-
Very enjoyable, great to hear someone having fun.
Originally Posted by mr. beaumont
-
Here's a few sheets, a G and C blues. Could be a decent jumping off point for someone wanting to try this kind of playing.
-
But you left out my favorite string!
Originally Posted by brent.h
J/k sounds great. These would be really nice in a small group.
-
Brent, by mixing drop 3, drop 2, and drop2 & 4 you can achieve really nice contrary motion
-
Well I was gunna say I used it all the time in my old solo arrangements on youtube...but I didn't see any lol. example could be
5
3
5
3
x
x (F6 drop 2)
6
8
6
x
7
x (E dim drop 3)
8
6
x
7
5
x (Dm7 drop 2/4)
forgive any mistakes i don't have a guitar, but should give you the idea
-
Yeah anything you want. that voicing is the bane of my existence haha
-
-
Was just watching that clip! I think Herb's way of doing it on an electric guitar sounds great.
-
That website jazzlegendlessons is selling unlicensed clips from HotLicks videos. You can get the whole hour video for less by going to the Hal Leonard website.
Just FYI.
-
For the non INSTA users, I think it's this video.
Originally Posted by Webby
Starts playing Rhythm lesson at about 42 mins.
Edit: I think Herb states he is only using three note chords for his Jazz blues "Rhythm lesson" with bass.
Last edited by GuyBoden; 06-11-2026 at 10:32 AM.




Reply With Quote

JJ music sales Ontario canada
Today, 04:01 PM in For Sale