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This is the distinction (comping versus rhythm guitar) I've been going on about for years that I get a lot of pushback on! Good to hear an established gent such as Herb say it too.
As for the upstroke, Freddie probably didn't do it because he was so focused on that 4th string.
To my ears, it sounds better on a low volume electric archtop than on an acoustic archtop. Even minimal use of amplification seems to even everything out more, making the upstroke not sound too jarringly different.
There's also that possible upstroke on the and of 4 you hear Jim Hall do in the famous "My Funny Valentine" bit.
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06-13-2026 10:15 AM
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That's the one.
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Here's a guy who transcribed Jim Hall
(Slower)
(Faster)
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I used only 3 note bass chords for my comping on this... well, there is a 4 note 7#9 chord in there but it's a blues so that's to be expected.
Blues for Spartacus - Box.com
Last edited by Mick-7; Today at 04:17 PM. Reason: Link error
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That's cool, Pammo. I never really did more than the 1 fret one. I think the other ones sound better with the more rhythmic style at the end. Gunna try this. Stop teaching me I have too much to work on.
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post something joe! join the club!
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Just play some rhythm guitar!
The only thing its not is pianistic "comping."
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The next little chunk is:
Diatonic approach from above
Diatonic above chromatic below
Double chromatic above, chromatic below.
Im going to use diatonic chords for the diatonic approaches.
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meh
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Here's how I play 'Rhythm Guitar' on a Jazz blues, it's very bass note heavy, because I played Double Bass for many years.
It's played on my Green D'Aquisto archtop copy with my trusty Rode NT3 mic in the room.
Edit: The basic notation is shown below:
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This is how I'm playing these days. Quite old school. Notice that I'm using only grips from the Jonathan Stout hand out lol.
I was enjoying this gig honest. playing with Sousa is fun.
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