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There's always exceptions, but generally, if you're playing melody, you want to put it on the treble strings. Just comes through clearer.
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03-08-2019 02:20 PM
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If I was up to make a song and I have chosen a chord progression, the notes of the melody does not have to be in the chords right?
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chord symbols are not fingerings.
Do not watch... it's not painting.by Watching them in the real book and playing. But when I watch tutoorials
Listen to it. if it sounds similar or not, if different - what is different and what sounds better to your taste.
Pick up a record you like and try to work with it by ear.
I would get some one beginners stuff - something like Mickey Baker - or beginners lesson on this site... and use it as a start point to get familiar with typical fingereings and turnaroud... as a first step.
PS
I would tune a guitar a bit better...
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If you mean the acoustic I knew it wasnt in tune but I didnt care for the moment.
Originally Posted by Jonah
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True... but on the other hand guitar's range is quite big and mostly it is around baritone range.
Originally Posted by mr. beaumont
When I began to play against another comping instrument I had tendency to play melody in higher register as I was used to the idea that I had to comp myself with chords in the middle and bass... but I quickly felt that in such contect the middle range sounds much better usualy (especially with piano)...
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Agreed...and I'm talking more specifically from lead sheets, which are usually simplified to keep things "clean,'--meaning, not too many note above or below the staff.
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There's a bridge or middle section as well - Christian gave you the shells in an earlier post (for bonus points I think).
Originally Posted by AlexMalmis
Play what you just played twice (A section), play the bridge (B Section) & then repeat the first (A) part. AABA's a common song form.
+1 for Drum Genius
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Does the % mean I should plat the last chord again or all the chords in the row?
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Just the last chord
Originally Posted by AlexMalmis
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okay.
Originally Posted by christianm77
so this
Cm7 | F7 | Bbmaj7 | Ebmaj7 |
Am7b5 | D7 | Gm7 | % |
Cm7 | F7 | Bbmaj7 | Ebmaj7 |
Am7b5 | D7 | Gm7 | % |
is really this
Cm7 | F7 | Bbmaj7 | Ebmaj7 |
Am7b5 | D7 | Gm7 | Gm7 |
Cm7 | F7 | Bbmaj7 | Ebmaj7 |
Am7b5 | D7 | Gm7 | Gm7 |
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Correct!
Second Half
| Am7b5 | D7 | Gm7 | % |
| Cm7 | F7 | Bbmaj7 | % |
| Am7b5 | D7 | Gm7 | Em7b5 |
| Am7b5 | D7 | Gm7 | % |
Or you could do
| Am7b5 | D7 | Gm7 | % |
| Cm7 | F7 | Bbmaj7 | % |
| Am7b5 | D7 | Gm7 | Fm7 Bb7 |
| Am7b5 | D7 | Gm7 | % |
For a bit of fun
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I have a question.
What do you think I should practice to be the mos efficient or learn the most? Should I learn new scales, (I only know minor pentatonic and major scales in one position...) ear training (I want to get a good relative pitch (I know it takes time)) or what should I learn/practice on? Thanks for any ideas.
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Practice learning melodies by ear.
Originally Posted by AlexMalmis
Practicing scales is a good idea for technique, but don't link them to improvisation at this stage.
I like one octave scales.
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why should I not link them to improvisation at this stage? sorry if I ask to much dumb questions.
Originally Posted by christianm77
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Not a dumb question at all
Originally Posted by AlexMalmis
You need to do three main things - get good at hearing things and playing them by ear, learning where the notes are and finally, being able to express chords in your playing.
This takes a little while.
You’ll hear a lot of stuff about scales when you research jazz improvisation. Please ignore this for now, it won’t help. It’s appropriate once you have developed the basic skills.
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okay. So what I should practice on is training my hear so that I can listen then play after. If I know a melody in my head and play every note a half step up it is still correct right?
Originally Posted by christianm77
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If I listen to a song I can hear if a note is higher or lower than the one before but I have no clue which note it is or how many steps up or down it is.
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Sing, then play. Sing the tune and then try to play it.
Originally Posted by AlexMalmis
Even if you think your singing is bad.
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I think my singing is ok... not good not very bad. Actually I am in the choir in my school for fun. I wanna improve my singing tho..
Originally Posted by christianm77
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I don't think I have ever heard Mary had a little lamb.
Originally Posted by djg
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Gonna try right now.
Originally Posted by djg
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I can find the melody but I can’t find the chords.
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Here's a tune for you Alex
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I liked it.
Originally Posted by christianm77
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I read a bit from The Jazz Theory Book by Mark Levine. I read that a diminished chord is minor 3rd + minor 3rd and a augmented chord is major 3rd + major 3rd. Is this a A diminished 531xxx? Is this a A augmented 543xxx?



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