The Jazz Guitar Chord Dictionary
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  1. #201

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    There's always exceptions, but generally, if you're playing melody, you want to put it on the treble strings. Just comes through clearer.

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    The Jazz Guitar Chord Dictionary
     
  3. #202

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    If I was up to make a song and I have chosen a chord progression, the notes of the melody does not have to be in the chords right?

  4. #203

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    chord symbols are not fingerings.


    by Watching them in the real book and playing. But when I watch tutoorials
    Do not watch... it's not painting.
    Listen to it. if it sounds similar or not, if different - what is different and what sounds better to your taste.


    Pick up a record you like and try to work with it by ear.

    I would get some one beginners stuff - something like Mickey Baker - or beginners lesson on this site... and use it as a start point to get familiar with typical fingereings and turnaroud... as a first step.


    PS
    I would tune a guitar a bit better...

  5. #204

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    Quote Originally Posted by Jonah
    chord symbols are not fingerings.




    Do not watch... it's not painting.
    Listen to it. if it sounds similar or not, if different - what is different and what sounds better to your taste.


    Pick up a record you like and try to work with it by ear.

    I would get some one beginners stuff - something like Mickey Baker - or beginners lesson on this site... and use it as a start point to get familiar with typical fingereings and turnaroud... as a first step.


    PS
    I would tune a guitar a bit better...
    If you mean the acoustic I knew it wasnt in tune but I didnt care for the moment.

  6. #205

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    Quote Originally Posted by mr. beaumont
    There's always exceptions, but generally, if you're playing melody, you want to put it on the treble strings. Just comes through clearer.
    True... but on the other hand guitar's range is quite big and mostly it is around baritone range.

    When I began to play against another comping instrument I had tendency to play melody in higher register as I was used to the idea that I had to comp myself with chords in the middle and bass... but I quickly felt that in such contect the middle range sounds much better usualy (especially with piano)...

  7. #206

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    Agreed...and I'm talking more specifically from lead sheets, which are usually simplified to keep things "clean,'--meaning, not too many note above or below the staff.

  8. #207

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    Quote Originally Posted by AlexMalmis
    the whole song? isnt it the exact same chords again?

    I actually know a bit of the melody. b578 e8 g7 b57 e 7 but that is pretty much it lol.
    There's a bridge or middle section as well - Christian gave you the shells in an earlier post (for bonus points I think).

    Play what you just played twice (A section), play the bridge (B Section) & then repeat the first (A) part. AABA's a common song form.

    +1 for Drum Genius

  9. #208

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    Does the % mean I should plat the last chord again or all the chords in the row?

  10. #209

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    Quote Originally Posted by AlexMalmis
    Does the % mean I should plat the last chord again or all the chords in the row?
    Just the last chord

  11. #210

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    Quote Originally Posted by christianm77
    Just the last chord
    okay.
    so this

    Cm7 | F7 | Bbmaj7 | Ebmaj7 |
    Am7b5 | D7 | Gm7 | % |

    Cm7 | F7 | Bbmaj7 | Ebmaj7 |
    Am7b5 | D7 | Gm7 | % |

    is really this

    Cm7 | F7 | Bbmaj7 | Ebmaj7 |
    Am7b5 | D7 | Gm7 | Gm7 |

    Cm7 | F7 | Bbmaj7 | Ebmaj7 |
    Am7b5 | D7 | Gm7 | Gm7 |

  12. #211

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    Correct!

    Second Half

    | Am7b5 | D7 | Gm7 | % |
    | Cm7 | F7 | Bbmaj7 | % |
    | Am7b5 | D7 | Gm7 | Em7b5 |
    | Am7b5 | D7 | Gm7 | % |

    Or you could do


    | Am7b5 | D7 | Gm7 | % |
    | Cm7 | F7 | Bbmaj7 | % |
    | Am7b5 | D7 | Gm7 | Fm7 Bb7 |
    | Am7b5 | D7 | Gm7 | % |

    For a bit of fun

  13. #212

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    I have a question.
    What do you think I should practice to be the mos efficient or learn the most? Should I learn new scales, (I only know minor pentatonic and major scales in one position...) ear training (I want to get a good relative pitch (I know it takes time)) or what should I learn/practice on? Thanks for any ideas.

  14. #213

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    Quote Originally Posted by AlexMalmis
    I have a question.
    What do you think I should practice to be the mos efficient or learn the most? Should I learn new scales, (I only know minor pentatonic and major scales in one position...) ear training (I want to get a good relative pitch (I know it takes time)) or what should I learn/practice on? Thanks for any ideas.
    Practice learning melodies by ear.

    Practicing scales is a good idea for technique, but don't link them to improvisation at this stage.

    I like one octave scales.

  15. #214

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    Quote Originally Posted by christianm77
    Practice learning melodies by ear.

    Practicing scales is a good idea for technique, but don't link them to improvisation at this stage.

    I like one octave scales.
    why should I not link them to improvisation at this stage? sorry if I ask to much dumb questions.

  16. #215

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    Quote Originally Posted by AlexMalmis
    why should I not link them to improvisation at this stage? sorry if I ask to much dumb questions.
    Not a dumb question at all

    You need to do three main things - get good at hearing things and playing them by ear, learning where the notes are and finally, being able to express chords in your playing.

    This takes a little while.

    You’ll hear a lot of stuff about scales when you research jazz improvisation. Please ignore this for now, it won’t help. It’s appropriate once you have developed the basic skills.

  17. #216

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    Quote Originally Posted by christianm77
    Not a dumb question at all

    You need to do three main things - get good at hearing things and playing them by ear, learning where the notes are and finally, being able to express chords in your playing.

    This takes a little while.

    You’ll hear a lot of stuff about scales when you research jazz improvisation. Please ignore this for now, it won’t help. It’s appropriate once you have developed the basic skills.
    okay. So what I should practice on is training my hear so that I can listen then play after. If I know a melody in my head and play every note a half step up it is still correct right?

  18. #217

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    If I listen to a song I can hear if a note is higher or lower than the one before but I have no clue which note it is or how many steps up or down it is.

  19. #218

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    Quote Originally Posted by AlexMalmis
    okay. So what I should practice on is training my hear so that I can listen then play after. If I know a melody in my head and play every note a half step up it is still correct right?
    Sing, then play. Sing the tune and then try to play it.

    Even if you think your singing is bad.

  20. #219

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    Quote Originally Posted by christianm77
    Sing, then play. Sing the tune and then try to play it.

    Even if you think your singing is bad.
    I think my singing is ok... not good not very bad. Actually I am in the choir in my school for fun. I wanna improve my singing tho..

  21. #220

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    Quote Originally Posted by djg
    this is where i would introduce you to the main functions I IV and V, using rock and blues tunes. could you figure out the chords of this tune and play along?



    hint in white below:

    the tune is in Bb

    can you sing mary had a little lamb starting on the note e and play the appropriate chords?
    I don't think I have ever heard Mary had a little lamb.

  22. #221

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    Quote Originally Posted by djg
    try jingle bells or happy birthday. can you find the melody and chords?
    Gonna try right now.

  23. #222

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    I can find the melody but I can’t find the chords.

  24. #223

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    Here's a tune for you Alex


  25. #224

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    Quote Originally Posted by christianm77
    Here's a tune for you Alex

    I liked it.

  26. #225

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    I read a bit from The Jazz Theory Book by Mark Levine. I read that a diminished chord is minor 3rd + minor 3rd and a augmented chord is major 3rd + major 3rd. Is this a A diminished 531xxx? Is this a A augmented 543xxx?