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Oh yeah me too. If I want to listen to a trumpet player it's Clifford Brown all day every day. If I'm listening to Miles it's for VIBEZ.
Originally Posted by James W
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05-20-2025 12:48 PM
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Miles... I like how he followed his heart and wasn't afraid of going where his muse took him. He was a tough dude but his playing could be incredibly tender. He didn't play a lot of notes, but the ones he played always mattered. He knew how to use dissonance and playing outside with consonance and playing inside. His tone was beautiful.
I don't think he had a bad period. People like to rag on him for his 80s comeback, but that's what I'm listening to the most right now.
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All due respect but Yes It is!!! I absolutely adore John Coltrane, Bill Evans, Wayne Shorter, Herbie Hancock, Keith Jarrett, Chick Corea & hundreds of other jazz musicians, but I do not like listening to MD, whether he's had some influence on others or not!!! I don't like his playing.. I don't like his music. Why do some folk find it so hard to understand this?
Originally Posted by pamosmusic
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Point repeatedly made, right.
Originally Posted by DC Cornelius

We get it. Peter's point was that objectively speaking, Miles was deeply influential and important in jazz and other genres too. Why won't you acknowledge that?
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My guy. Totally fine that you don't care for Miles Davis.
Originally Posted by DC Cornelius
But what I said was "he was a key innovator in pretty much every major trend in the music."
And you said:
So once again -- it is absolutely fine that you don't care for Miles Davis's playing, but unfortunately you don't get to choose the degree to which he was influential on the music. His name is basically synonymous with jazz. Ask a hundred non-musicians to name five jazzers and you'd hear "Miles Davis, Louis Armstrong, and ... um ... hold up ... OH Frank Sinatra, right?"To you he obviously was. To me he was not!
If you asked a hundred rock musicians who they were influenced by, his might be the only jazz musician's name you heard.
So I'm really not arguing with your personal preferences. You do you. But Miles will be standing right behind every improviser you ever listen to, from now until you depart this mortal plane. Like him or not.
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The confusing part is that he did.
Originally Posted by James W
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Oh yeah I see. He did... then apparently forgot that he did? Weird.
Originally Posted by pamosmusic
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Seems odd to like all these guys who were on Miles’ albums and made the same music he did, but still not like Miles’ music.
Originally Posted by DC Cornelius
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Learned some of his tunes and generally liked his cool period. Did not learn anything much from him otherwise except maybe how not to act as a responsible person in the public eye at times.
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Yep..Miles Lives..
there is the man the myth the music
I am guilty of wanting to know more about the personal lives of "celebrates"..but as often the case..I dont like what I find..and it may alter my appreciation
of their art talent presentation and all that.
To me the musician Miles is the epitome of Cool
His personal life..I dont care..that was for him to solve and have opinions about.
My Guitarist view..he chose guitar gods to be in his bands..he chose sax player gods..piano gods..the landscape of "jazz" would not be the same without his experimentation/innovations.
Kind of Blue..it changed "jazz" and created a tidal wave across all art forms that is still being felt to this day
and just a "what if" question..to those who dont like his music.. and if he called you to be in his band...??Last edited by wolflen; 05-20-2025 at 02:24 PM.
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Saying one doesn't like a musician's music is an opinion. Saying a musician like MD wasn't an innovator isn't an opinion. It just shows a lack of understanding of the history of jazz.
Originally Posted by DC Cornelius
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All due respect but Yes It is!!! I absolutely adore John Coltrane, Bill Evans, Wayne Shorter, Herbie Hancock, Keith Jarrett, Chick Corea & hundreds of other jazz musicians, but I do not like listening to MD, whether he's had some influence on others or not!!! I don't like his playing.. I don't like his music. Why do some folk find it so hard to understand this?
Originally Posted by pamosmusic
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I never said that! Where did i say he wasn't an innovator?
Originally Posted by jameslovestal
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Take a breath. Go back and read your posts. First of all, you just reposted one you'd already posted.
Originally Posted by DC Cornelius
Then this:
I said ...
You quoted that and replied:he was a key innovator in pretty much every major trend in the music.
Perhaps you mis-spoke?To you he obviously was. To me he was not!
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'To me personally' he wasn't.... two different things! cleary he was to many, I've never argued that in this thread
Originally Posted by pamosmusic
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Okay well then you were arguing with nobody, because I don’t think anyone said he was influential to you personally. They’re saying he was influential broadly.
Originally Posted by DC Cornelius
Because those are two different things and, once again, what I said was:
And it sounds like you dont have much quibble with that.he was a key innovator in pretty much every major trend in the music.
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Yes I did. Thanks for pointing it out- My apologies. Don't know what happened there??? Oh well
Originally Posted by pamosmusic
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You're right, no one said that- I didn't suggest anyone did...
Originally Posted by pamosmusic
I know they are saying he was influential broadly. I get that....
Originally Posted by pamosmusic
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In addition to the points others have made:
- that silence can be as important as sound
- the power of melody and phrasing
the thing I got from Miles is that, even when you know about music theory, history, style,
someone can come along and make music that is so, mysterious, so “magic”,
so different from what was before,
that it can amaze you.
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DC Cornelius - are you a trumpet player?
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No, I'm not. Don't think I've ever held one let alone tried to play one
Originally Posted by kris
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What did one learn from Miles?
It's curious.
Indirectly, I suppose, when I was a teen wailing on rock guitar back in the day, I realised that when you put a note out there, hanging onto and bending it, it had to "mean" something, because you were loud, like a horn. I wasn't consciously listening to Miles Davis at that time, but Jimi Hendrix was, and I had listened to a lot of Hendrix, who happened to dig Miles...
Nowadays, I just listen to his playing and appreciate his unique voice and phrasing, mostly the pre-electric era. It's atmospheric and engaging; you have to listen.
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DC C..
Originally Posted by DC Cornelius
I just noticed your new here..welcome
You have landed on a hot topic..as you can see
Miles his playing and compositions are liked by many of us on this site.
Now some people come to this site just to see what is going on..they may not even be musicians but join in on some of the topics..
So are you a guitarist? if your willing please give us a brief history of your musical journey so we can know you better.
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Easy, man. It was a mild ribbing at most.
Originally Posted by DC Cornelius
You must understand that you very much stand out from the crowd by thinking Miles Davis was useless as a jazz influence, at least as far as your own development is concerned. Given that he was one of the founding drivers of about six different movements in jazz, it is surprising to read that from someone. He played with Charlie Parker and Dizzy Gillespie at the start of his career all the way up to John Scofield and Mike Stern towards the end of his career. And in between with Monk, Bill Evans, John Coltrane, Cannonball Adderley, Herbie Hancock, Ron Carter, Wayne Shorter, Tony Williams, John McLaughlin, Joe Zawinal, etc. etc.- just to name a few in 30 seconds. Most of the titans of jazz worked for him at some point during their careers. Every one of those players has publicly saluted the contribution Miles made to their musical abilities. If any of those players were an influence on you, some of that came from Miles.
Most recently, one of the things I've been paying attention to with Miles is how to swing with articulation of the notes on the beat rather than rhythmic effects.
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LOL! I don't think Herbie ever figured out what that meant, either. I've always wondered if Miles wanted to hear less chord tones and more upper extensions and tensions.
Originally Posted by pamosmusic



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