-
I already know about those and I'm not demanding anything, it's up to him. He wrote a whole big thing about how he'd play it:
Do you understand all that? Me neither. I'd rather hear it, wouldn't you?Likely A minor triad based for the D- chord. Bluesy tension 4 would sound perfect. Tension 2 all day.
6, 9, and 12 note melodic triads bebop scales all day.
Melodic minor variations for the Bb7 and E7 harmonies using a C major triad.
Tension 2 with the bluesy #2 to access the modes of melodic minor while staying soulful and bluesy.
Tension b6 to get those G#'s in there.
Tension 4 just cause (and to give the bluesy 4-#2-3) enclosure around the E note.
6, 9, and 12 note melodic minor melodic triads bebop scales all day.
In fact... I might even opt to approach the D- harmony with the C major triad as well. Still emphasizes the 9 in the melodic structure over the min3. But with the added benefit of also tonicizing the 11 AND making the entire progression essentially based on a single triad, with shifting tension notes and bebop scale attachments. But it would lose the minor, soulful, darker vibe the A minor sound brings. Which would be a bit of a bummer ha
Maybe use Bb minor or F major triads over the A7, like Claus and Christian we're talking about. With the appropriate tension notes. F major with tensions 2, 4, and b6 would definitely sound hip... adding in the bluesy #2 (G#) note to stay soulful... and the corresponding 6, 9, and 12 note melodic minor bebop scales. Yeah. That ish could get nasty.
Who knows? Such a simple progression. We could take this in ALL KINDS of directions!
: )
At the end he admits:
I'm not looking to understand his method, I just want to hear what his version sounds like. I'm surprised you don't understand that.But that's just how I would do it. And I recognize most people have no f'n clue wtf I'm talking about lol
-
12-10-2025 06:14 AM
-
You've heard one of his students do it.
Originally Posted by ragman1
Yes we know, which is probably why no one particular cares to answer your calls to demonstrate their skills.I'm not looking to understand his method
And I’m surprised you don’t understand that no one is terribly invested in proving themselves to you in this particular context.I'm surprised you don't understand that.
-
damn, I better throw out all my books about music.
Originally Posted by ragman1
Actually I have an excellent book ‘The Guide to the Symphony’ by Robert Layton, describes all the important ones. Wouldn’t get rid of it for anything.
-
Clausstrom played the loop using Jordan’s methods and ragman liked it.
Now he wants someone to demonstrate the approach sounds ok. Did I miss something?
-
Oh, definitely.
Originally Posted by grahambop
Why are they trying to answer for Jordan? Why are they so hell-bent on defending him? Against what?
-
I spent a few minutes playing around with some Benson-y 80s pop octaves based around Cmaj(Am) with D nat. min over the V (A+7). Sounded "corny" as heck, but it fit the feel of this particular progession. I don't think you're expected to "address" Bb9#11/E7b9(#11) at all and you'll likely get lost if you do.
-
Try manners sometime.
Originally Posted by ragman1
Sent from my iPhone using Tapatalk
-
Yeah I mean that’s it. Total waste of time and effort, and also why I couldn’t be bothered to mention I’d already posted a brief demonstration above. Why would I bother?
Originally Posted by pamosmusic
Sent from my iPhone using Tapatalk
-
Christian, do you ever call people "muppets?"
-
It’s 40-60% of his personality
Originally Posted by joe2758
-
Yeah I mean it's implied always, I just LOVE that term and always mean to add it to my vocab but it just never comes out at the right time
-
course he does, you muppet.
Originally Posted by joe2758
(free demonstration for you.)
-
I'm going to edit one of my posts from today where I said "I'm an idiot" to "I'm a muppet"
-
Originally Posted by ragman1
-
Just practice it in all twelve keys.
Originally Posted by joe2758
-
By the way I would say that ‘muppet’ is less rude/harsh than calling someone an idiot, it can almost be said with a degree of affection. Like saying ‘you twit’, or ‘yer daft owd bugger’ (in Yorkshire).
Originally Posted by joe2758
At least that’s how it seems to me.
-
Thanks for taking the time. Really appreciate it.
Originally Posted by starjasmine

If anything sparks questions down the line, feel free to reach out.
-
I think we should bring “wally” back
Originally Posted by grahambop
Sent from my iPhone using Tapatalk
-
i like the sound of that, and no i don't care about the thread topic.
Originally Posted by Christian Miller
can you define and use in an example please
-
I can be a bit of a wally sometimes
Originally Posted by joe2758
Sent from my iPhone using Tapatalk
-
-
Just practice it in all twelve, fifteen, twenty-four, or thirty keys model.
Originally Posted by Christian Miller
-
There’s only twelve keys.
Originally Posted by pauln
Don’t care what some wazzock says on YouTube.
Sent from my iPhone using TapatalkLast edited by Christian Miller; 12-11-2025 at 05:19 AM.
-
Originally Posted by Joe Passé
If that book is by Toots Thielemans, I'll buy it! -- Who played on this version of its not easy being green?
-
Weird, I had to turn on a VPN to see that Muppets book photo (it was just saying ‘content not viewable in your region’).
Googled it and it suggests Imgur has blocked all content in the UK (people think it’s because of the recent UK Online Safety Act), so maybe that’s why.



Reply With Quote

Calling you Framus folk
Yesterday, 09:38 PM in Guitar, Amps & Gizmos