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And here's the Bossa Lady herself, Donna's De Bossa
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01-31-2025 11:14 AM
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Fun fact, two of the three first jazz albums I bought with my own money were Joe Pass Blues Dues and Charlie Byrd Bossa Nova Pelos Passaros.
Went to Barnes and Noble in Fredericksburg Va and got those two with the Brubeck Jazz at Oberlin album.
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And here's one from an older thread attempting "Solar"
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Here's my third effort for this thread. Last time out I played with no backing and someone said great no backing and someone said it's better with backing... so here I play through once melody only, and the second time round add in some quiet backing to set the groove (although, in this case I played the melody first and added the backing after...).
Cheers
Derek
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Originally Posted by lawson-stone
Originally Posted by lawson-stone
Nice ones Lawson. Getting myself up to speed on Donna Lee would violate the 30-minute rule, so I'll definitely leave that one to you.
Originally Posted by lawson-stone
Thanks!
Originally Posted by lawson-stone
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Hey, I never said "Only 30 minutes"
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I assumed the 30-minute rule meant practice it for no more than 30 minutes before doing a recording. But if in fact I have more time for Donna Lee ...
Originally Posted by mr. beaumont
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... these 30 minutes are sometimes 30 years...
Originally Posted by mr. beaumont

Giant Steps.
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Yeah, the stipulation was actually "play it for at least 30 minutes, if possible."
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Ah, that makes much more sense.
Originally Posted by mr. beaumont
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It was a personal preference on my part. I'm not saying there weren't others. There are, I've heard them too :-)
Originally Posted by John A.
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Frankly, I don't see the point in playing intricate bebop tune heads here like those we played in the study group:
Bebop heads: Donna Lee
I mean, this thread is about playing "just the melody." What is the alternative with Donna Lee, would you play a chord melody of it?
Don't think many here would need 30 minutes to master "just the melody" of Giant Steps.
Originally Posted by kris
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Mick has more thoughts about the rules.
Originally Posted by Mick-7
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Originally Posted by Mick-7
Practice a melody and then record it. We don't need extra rules and stipulations. You know, for all your talk about this being too easy, you haven't once posted a melody of all pinch harmonics or the melody up a 3rd, or any of the other "hard mode" ideas you've suggested.
I want to hear a pinch harmonic Satin Doll or MoonGlow
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Just wondering what if anything is off limits, how about if I play just the melody of a Debussy song?
Originally Posted by pamosmusic
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No, he was NOT a friggin' Brazilian, he came from Virginia. And he wasn't much good at Bossa either. He used to play blues sounds over it which is definitely not Brazilian. Always sounded to me like an easy option on the fly because he couldn't do the real thing properly. But it probably sold records.
Originally Posted by AllanAllen
Pass, on the other hand, never ever played blues licks over bossa numbers. he knew better.
Here we are, jazz for the masses. Yuk. When you get to 1.25 put a bag on your head.
And how to do it properly if you're American.
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Please do.
Originally Posted by Mick-7
I think we have specified earlier that the idea is playing simple melodies as a musical exercise rather than difficult ones as a technical exercise, but if someone posts a bunch of regular melodies and one bebop head sneaks in — which is quite literally what Lawson did — I can’t say it’s hurting anyone.
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Tell me you’ve never transcribed a Bossa without telling me you’ve never transcribed a Bossa.
Originally Posted by ragman1
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Sounds like a great idea.
Originally Posted by Mick-7
Bebop is certainly not off limits, it's just that heads like those might have less room for interpretation. I think we had a conversation about that 20 something pages ago.
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You can play "One Note Samba" if you consider "Giant Steps" melodie to be easy...
Originally Posted by Mick-7
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Yeah, who the hell would play blues on a bossa?
Originally Posted by pamosmusic
<em>
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The A section of “Wave,” anyone?
Originally Posted by mr. beaumont
EDIT: haaaaa quoting your post now because that was exactly my thought
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Why would I transcribe a bossa?
Originally Posted by pamosmusic
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Originally Posted by ragman1
I thought they were both very nice.
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So that you actually knew what you were talking about and could avoid nonsense like that last post of yours.
Originally Posted by ragman1



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