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Hi All,
I haven't played Doxy in probably 10 years and just started playing this tune again. I don't know why, but I did a deep dive into a bunch of recordings in a way I don't do for every tune and was kind of surprised with what I found. For the head, I studied about 12 different versions including versions in a couple of fake books and great players (e.g., Bob mintzer) on you tube. I don't think I found any two versions with the same head in terms of the pitches. As just one of multiple examples, in the second bar of the B section, I found recordings that played a G note to a Bb, a G to a C, and a G to Db. The last note in the B section was also any of those notes (Bb, C, or Db) depending on the recording. The A section also had pitch differences between recordings. I am used to hearing melody pitches altered in great American songbook tunes, but I was a little surprised by the wide variability in a jazz head written by a jazz musician. If I do the same for say some Monk tunes or Bird tunes, will I find the same thing? I have usually learned tunes from a couple of recordings. I don't know that I have ever studied so many versions of the same tune before, but I did find the pitch variability to be interesting and a little surprising. There is no "right" head for Doxy. Lol.
Thanks,
Rick
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09-26-2023 08:41 AM
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If I do the same for say some Monk tunes or Bird tunes, will I find the same thing?
I spent the time learning things by ear just to have to go back and relearn stuff from the real book or iReal after playing live. Easier for me to relearn the real book version than demand everyone else stop reading.
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Originally Posted by AllanAllen
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Probably not all the tunes are off. I doubt there's any uncertainty about what the melody is to autumn leaves. Also you know how us amateur players will not play the song right but try to make it sound good? Pros do that too haha.
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Originally Posted by Rick5
39:20
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Originally Posted by Jimmy Smith
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Originally Posted by Jimmy Smith
Yeah, but the harmony for bars 27 and 28 have a ton of variations. Even RealBook and iReal are different. There's a big band out here that does the minor, minor major7, minor 7, minor 6 descending root thing from In a Sentimental Mood over those bars. I never heard that in a recording.
It was actually the variation in those bars of Autumn Leaves and having Summertime fall apart because of different charts/versions that I just started to do melody by ear and harmony by iReal. But when I try to double up with the trumpet and he's reading from Hal Leonard Real Book... things still get weird... I need to write my own charts. Sometimes the answer is just right there huh...
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I think its called the folk process its happening in classic jazz tunes already
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Originally Posted by robbro@coastwifi.com
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