Things I learned from Barry Harris Study Group

[joe2758]

mixing chromatic scale with 5432

[rintincop]

Review question:

Which scales would be applied here:

| Fmaj7 | F#dim7 | G-7 | G#dim 7 |

[joe2758]

Review question:

Which scales would be applied here:

| Fmaj7 | F#dim7 | G-7 | G#dim 7 |

Fmaj up and down to third of D, C7 up and down

[don_oz]

mixing chromatic scale with 5432

That sounds great man!

That would sound burning on a straight 8s tune with static harmony. Pat Martino style

[don_oz]

Practicing 5-4-3-2 lines on rhythm bridge. Was late at night so give me a break

Nice one man,

Was picking all the notes intentional?

Have you tried adding slurs, hammer one and pull offs to get more of an authentic articulation sound?

[christianm77]

Review question:

Which scales would be applied here:

| Fmaj7 | F#dim7 | G-7 | G#dim 7 |

Fmaj up and down to third of D7
G-7 = Bb6 up and down to third of Bo7 = G#o7
Ahahahaha

[joe2758]

Fmaj up and down to third of D7
G-7 = Bb6 up and down to third of Bo7 = G#o7
Ahahahaha

Fmaj up, D7 down to the tritone and then down the tritone to its 5th, C7 up, Gb7 down to 3rd of E7

[christianm77]

Fmaj up, D7 down to the tritone and then down the tritone to its 5th, C7 up, Gb7 down to 3rd of E7

Weirdo

[Tal_175]

Fmaj up and down to third of D, C7 up and down

This makes sense if the progression is going back to Fmaj7. But (re C7 up and down) doesn't that depend on how the progression continues? What if it's going to A-7? What would BH approach be in that case?
Ie:
| Fmaj7 | F#dim7 | G-7 | G#dim 7 | resolving to A-7 (say beginning of a iii vi ii V in the next 4 bars).

[christianm77]

This makes sense if the progression is going back to Fmaj7. But (re C7 up and down) doesn't that depend on how the progression continues? What if it's going to A-7? What would BH approach be in that case?
Ie:
| Fmaj7 | F#dim7 | G-7 | G#dim 7 | resolving to A-7 (say beginning of a iii vi ii V in the next 4 bars).

Bloody hell m8, what I said

[christianm77]

Also would play F on the A-7

[don_oz]

Fmaj up, D7 down to the tritone and then down the tritone to its 5th, C7 up, Gb7 down to 3rd of E7

Gb7 down to the third of E? It's kinda funny rhytmically don't you think? The third of E ends up being on an off beat

[Tal_175]

Fmaj up and down to third of D7
G-7 = Bb6 up and down to third of Bo7 = G#o7
Ahahahaha

Wait to the third of Bo7? Wouldn't you play this if we are going to A7? I don't get why would you target Db?

[joe2758]

Gb7 down to the third of E? It's kinda funny rhytmically don't you think? The third of E ends up being on an off beat

whatchoo talkin bout osmond, it’s the standard 7 down to the #1. anyway i wouldnt advise that as a basic scale outline, it was more of a bit one-upping christian after he one-upped me

[don_oz]

whatchoo talkin bout osmond, it’s the standard 7 down to the #1. anyway i wouldnt advise that as a basic scale outline, it was more of a bit one-upping christian after he one-upped me

I thought G7 goes down to the third of E7? Have I been away for too long??

[rintincop]

| Fmaj7 | F#dim7 | G-7 | G#dim 7 |
| A-7 | C-7 F7 | Bbmaj7 | Eb7 |
| F | D7 | G-7 | C 7 ||

[christianm77]

Wait to the third of Bo7? Wouldn't you play this if we are going to A7? I don't get why would you target Db?

SORRY!

Ok
I meant Bb major to the third of G7.

I'm a doofus.

But the effect is that is now a Bo7, so therefore the same as G#o7

In effect

F | F#o7 | Gm7 | G#o7

becomes

F | F#o7 | Bb | Bo7

[joe2758]

I thought G7 goes down to the third of E7? Have I been away for too long??

oh yea oops u right. drunk sorry

[rlrhett]

oh yea oops u right. drunk sorry

That is not a drunk sorry. A drunk sorry goes something like,

“Geeesh, maaan, I am like soooo sorry. You’re the best, I mean really you’re the beeest! You’re my bro man. Have I ever told you how much I love you, maaan! You’re my bro.”

That’s a proper drunk sorry. ;-)



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[joe2758]

you my boy osmond. anyway you can just play it down to the gb

[joe2758]

SORRY!

Ok
I meant Bb major to the third of G7.

I'm a doofus.

But the effect is that is now a Bo7, so therefore the same as G#o7

In effect

F | F#o7 | Gm7 | G#o7

becomes

F | F#o7 | Bb | Bo7

that's really cool-- my same question as always: E or Eb in the Bb major?

[christianm77]

Eb I think here - the dim7 has a tonicising function to my ear. You could try both.

[joe2758]

our boy posted a bunch of solo guitar performances of monk tunes

[christianm77]

He's playing a strat tho. Unsubbed.

[rlrhett]

He's playing a strat tho. Unsubbed.

Snob.











Ok, to be fair. I didn’t like the tone either.


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