The Jazz Guitar Chord Dictionary
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  1. #76
    djg
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    Quote Originally Posted by AllanAllen
    Not be condescending, but it seems like JCat has never been on a stage and has no idea what he's talking about. "who pays the band" is like, naive beyond belief.
    the "cat with sunglasses" avatar. it's a warning sign.

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  3. #77

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    Quote Originally Posted by pamosmusic
    I
    Apologies, but is there a specific point of confusion?
    Yes, I think so,
    It seems to me like you've got a very narrow definition of what a "jam session" is, and that this is based on how things currently work in NYC.
    In my world, a jam session is an informal get together where people play for fun. Unpretentious. A long time ago a performing band could sometimes end the night by inviting a select few for a jam session (that the paying audience, mostly non-musicians, could enjoy). But like I said above, I haven't seen that in a long time, and when I gig, we don't invite the audience for a jam afterwards (for several reasons, partly logistical)

    In my world, a "house band" is a fixed establishment, a permanent crew that typically backs up various guest soloists that people pay tickets to come and see. I don't think this house band enjoys jamming all night.

    -Wouldn't it be possible that this house band, maybe once a month or so, run a jam session night; people pay tickets to come and see and/or participate in the jam?

    I think one would have to live in a big enough city to attract enough people to break even. But most importantly, when people pay to join, it's not unpretentious anymore. Sometimes when musicians play in front of other musicians, it becomes like a competition, making people uncomfortable (ref. to OP). I don't think that's an ideal environment to learn tunes and I wouldn't recommend anyone to attend such jam before they are ready.

  4. #78

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    Quote Originally Posted by JCat
    Yes, I think so,
    It seems to me like you've got a very narrow definition of what a "jam session" is, and that this is based on how things currently work in NYC.
    I don’t think you’re reading a word I’m typing. I lived and played in New York for about a decade. I don’t now. As I said, this is how every jam I’ve ever been to runs.

    In my world, a jam session is an informal get together where people play for fun.
    Not to be a jerk, but apparently your world isn’t the world of jazz musicians, because the jam session I’ve described has been a feature of jazz music since the thirties at least.

    I’ve also been to “jams” with friends in apartments and whatnot. But you’re acting like I’m operating off some defunct and narrow definition of jam session, but it’s actually that your experience is very narrow here.

    Unpretentious. A long time ago a performing band could sometimes end the night by inviting a select few for a jam session (that the paying audience, mostly non-musicians, could enjoy). But like I said above, I haven't seen that in a long time, and when I gig, we don't invite the audience for a jam afterwards (for several reasons, partly logistical)
    Well sure. I haven’t seen a parrot in a long time but that doesn’t mean they’re particularly rare. It just means my experience doesn’t bring me in much contact with them these days.

    In my world, a "house band" is a fixed establishment, a permanent crew that typically backs up various guest soloists that people pay tickets to come and see. I don't think this house band enjoys jamming all night.
    Again. Your experience is very narrow here.

    I think one would have to live in a big enough city to attract enough people to break even. But most importantly, when people pay to join, it's not unpretentious anymore. Sometimes when musicians play in front of other musicians, it becomes like a competition, making people uncomfortable (ref. to OP).
    I think MOSTLY this is a myth based on the assumptions of people who really don’t have much experience. I suppose it’s easy to imagine that every jam session just turns into a cutting room where guys try and one up each other constantly. Smalls got that way sometimes and maybe still does. I’ve really only been to one or two jam sessions that felt like that even in New York. People tend to use that as an example but you also have to understand that, not only is Smalls itself a tourist destination—it’s also the only jam session on the planet that’s essentially televised.

    I don't think that's an ideal environment to learn tunes and I wouldn't recommend anyone to attend such jam before they are ready.
    Sure.

  5. #79

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    Yeah I’m not sure what JCat is on about tbh

  6. #80
    djg
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    Quote Originally Posted by pamosmusic
    People tend to use that as an example but you also have to understand that, not only is Smalls itself a tourist destination—it’s also the only jam session on the planet that’s essentially televised.
    KringSessions: Digging with the Amsterdam Cat's - YouTube

  7. #81

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    Very slowly. How slow is slow? 3 seconds between notes.

    Cheers
    Avery Roberts

  8. #82

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    oh good. Another one.

  9. #83

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    FWIW, the kind of jam Peter is describing is not limited to big US cities. I live in a small town in the UK, and a town with a population of 7,000, about 30 minutes away by bus, has a pub that hosts a jazz jam once a month. The 'house band' is led by the keyboard player, who I think is an academic at Oxford university, a bass player, a drummer, and a young horn player, who by my estimation is pretty good. It's a very welcoming place. Most of the folks who sit in are at a pretty basic level, and you get to hear Autumn Leaves and Blue Bossa at most if not all sessions. Nobody is paid: they do it for the fun. The room is usually full, mostly with wannabe players and their partners, but everybody has a good time and the bar gets to have more customers than normal on a Sunday evening in the middle of no where.

  10. #84

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    Quote Originally Posted by CliffR
    FWIW, the kind of jam Peter is describing is not limited to big US cities. I live in a small town in the UK, and a town with a population of 7,000, about 30 minutes away by bus, has a pub that hosts a jazz jam once a month. The 'house band' is led by the keyboard player, who I think is an academic at Oxford university, a bass player, a drummer, and a young horn player, who by my estimation is pretty good. It's a very welcoming place. Most of the folks who sit in are at a pretty basic level, and you get to hear Autumn Leaves and Blue Bossa at most if not all sessions. Nobody is paid: they do it for the fun. The room is usually full, mostly with wannabe players and their partners, but everybody has a good time and the bar gets to have more customers than normal on a Sunday evening in the middle of no where.
    It’s honestly limited to places who have one or two really good musicians with the patience to put a jam session on. That’s kind of it. Unfortunately there aren’t a lot of folks like that, but it’s certainly not limited to big cities.

  11. #85

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    Quote Originally Posted by pamosmusic
    It’s honestly limited to places who have one or two really good musicians with the patience to put a jam session on. That’s kind of it. Unfortunately there aren’t a lot of folks like that, but it’s certainly not limited to big cities.
    The commute from Oxford to this pub is a good 30-45 minutes by car, so there's no doubt these people are doing it for the love of it. I seem to remember the leader told me they do it in a variety of places in the area.

  12. #86

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    Quote Originally Posted by JCat
    I think I don't think that's an ideal environment to learn tunes and I wouldn't recommend anyone to attend such jam before they are ready.
    I’ve given 2 lists of ten simple tunes, and there are hundreds of similar lists online.

    The steps are.

    1. Learn 2-3 of the tunes
    2. go to a jam


    nowhere in this thread is anyone suggesting a new player learn tunes at a jam session.