The Jazz Guitar Chord Dictionary
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  1. #51

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    Kind of an aside, but "museum" as a knock always makes me wonder, "What's wrong with museums?" Museums are where I learned how to see visual art, partly thanks to a transformative junior year in Europe. Performances of canonical music of all kinds--classical, jazz, and folk--shaped how I hear to this day, more than 65 years later. Are historical-practices/authentic-instrument recordings (the aural equivalent of the art museum) somehow lesser artistic expressions? Should I dismiss those performances of the Bach sonatas and partitas played on a baroque violin with a baroque bow?

    But then, I've spent my life exploring the widest historical range of all the arts I attend to--what can you expect of a guy who spent a decade studying medieval and Renaissance literature? (But who has spent 40 years reviewing current science fiction.)

    I still have a vivid memory of live performances of the Wolverines Classic Jazz Orchestra--their charts were rooted in old jazz and were nevertheless riveting. That's a museum I would happily revisit.

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  3. #52

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    Quote Originally Posted by RLetson
    Kind of an aside, but "museum" as a knock always makes me wonder, "What's wrong with museums?
    Nothing. I think it just means something belonging to the past, not the future.

  4. #53

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    Quote Originally Posted by RLetson
    Kind of an aside, but "museum" as a knock always makes me wonder, "What's wrong with museums?" Museums are where I learned how to see visual art, partly thanks to a transformative junior year in Europe. Performances of canonical music of all kinds--classical, jazz, and folk--shaped how I hear to this day, more than 65 years later. Are historical-practices/authentic-instrument recordings (the aural equivalent of the art museum) somehow lesser artistic expressions? Should I dismiss those performances of the Bach sonatas and partitas played on a baroque violin with a baroque bow?

    But then, I've spent my life exploring the widest historical range of all the arts I attend to--what can you expect of a guy who spent a decade studying medieval and Renaissance literature? (But who has spent 40 years reviewing current science fiction.)

    I still have a vivid memory of live performances of the Wolverines Classic Jazz Orchestra--their charts were rooted in old jazz and were nevertheless riveting. That's a museum I would happily revisit.
    What's wrong with math rock or prog rock or having a male audience? Nothing. I was just using a the term to shine light on the false dichotomy Branford presented that somehow music with a walking bass has more universal appeal.

    I love museums, too.

  5. #54

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    Quote Originally Posted by charlieparker
    I was just using a the term to shine light on the false dichotomy Branford presented that somehow music with a walking bass has more universal appeal.
    Maybe I didn’t catch that bit but I don’t think Branford actually said that. What I thought he said is that Jaco pulled too much focus as a bass player and overplayed. Which is a horn player thing to say haha. Weather report before Jaco was still playing jazz/rock

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  6. #55

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    Quote Originally Posted by Christian Miller
    Maybe I didn’t catch that bit but I don’t think Branford actually said that. What I thought he said is that Jaco pulled too much focus as a bass player and overplayed. Which is a horn player thing to say haha. Weather report before Jaco was still playing jazz/rock

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    He said the music didn't groove without the bass and then he realized he was surrounded by 2200 dudes so he had to get out of there.

    The rant was pretty funny but, I didn't agree with it. Although part about going back to the masters, resonated.

    I don't know if I buy the part about all these "math nerds" who don't know Jazz and only improv. Maybe at the amateur level but hard for me to believe any pro is like that.

  7. #56

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    Quote Originally Posted by Christian Miller
    Maybe I didn’t catch that bit but I don’t think Branford actually said that. What I thought he said is that Jaco pulled too much focus as a bass player and overplayed. Which is a horn player thing to say haha. Weather report before Jaco was still playing jazz/rock

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    Horn players got a bit annoyed when Charlie Christian got amplifiers and took focus away from the horns with his own solos. Jaco didn’t distract: he also just reframed the role of the bass as an instrument (a bit). As technology for the bass guitar evolved the instrument’s capability someone was inevitably going to use that to have a point of difference.