The Jazz Guitar Chord Dictionary
Reply to Thread Bookmark Thread
Page 4 of 4 FirstFirst ... 234
Posts 76 to 83 of 83
  1. #76

    User Info Menu

    Quote Originally Posted by GuyBoden
    Personally I disagree, part of the dim scale was used in many Bebop phrases.

    It was part of one of Charlie Parker's common phrases.
    Attachment 131146

    "Thomas Owens" lists over 300 uses of Parker using this Dim phrase (above).
    That's not the diminished scale. It's a Ao7 arpeggio revolving to the note F.

  2.  

    The Jazz Guitar Chord Dictionary
     
  3. #77

    User Info Menu

    Quote Originally Posted by djg
    hardbop introduced the funky 16th. that wasnt barry's thing.
    I wasn't talking about the 16th.

  4. #78

    User Info Menu

    Quote Originally Posted by James W
    Can't say I agree with this. If Trane doesn't sound like a bop player on the Miles stuff, what does? And BTW when you say 'bop' it's unclear whether you mean bebop or any of the other bops like hard-bop. If you mean bebop well, perhaps, but if you mean any kind of -bop, then I totally disagree.

    And as for Miles not doing so when he was with Bird, that sounds a bit crazy to me. I mean, Miles was pioneering on those records - or is that just my ignorance of the Prez school?
    OK, rather than get get in the weeds on the definition of "bop" (which noone uses consistently), it may be clearer to say - the (mature) Trane represents to my ears a significant stylistic break with what came before - that thing being the (be)bop approach to improvisation.

    OTOH I mean Blue Train is obviously a hard bop record, fair enough, etc.
    Last edited by Christian Miller; 04-09-2026 at 04:36 PM.

  5. #79

    User Info Menu

    Anyway the OP was asking about what Martin Van Iterson plays.

    FWIW I think most people play Eb7 on that chord, including Bird.

  6. #80

    User Info Menu

    Quote Originally Posted by Christian Miller
    OK, rather than get get in the weeds on the definition of "bop" (which noone uses consistently), it may be clearer to say - the (mature) Trane represents to my ears a significant stylistic break with what came before - that thing being the (be)bop approach to improvisation.

    OTOH I mean Blue Train is obviously a hard bop record, fair enough, etc.
    Ok yeah, sure.

  7. #81

    User Info Menu

    Sorry but, this is how you play "Just Friends".

    On a small carbon fiber guitar. Hearing the melody in your head.


    :high ly_amused:

    Edit: I think, I recorded this last year.

  8. #82

    User Info Menu

    You're playing it with your index finger! And I thought I was weird

    It's quite interesting. In the video on your site you're using lots of fingers so you're apparently a dedicated finger player.

    (By the way, does the bloke on rhythm know he's drowning you out? He should know that anyway).

    nice cap :-)

  9. #83

    User Info Menu

    Quote Originally Posted by Grigoris
    I have a question for those who care to elucidate me please

    I am going through Just Friends, as played by Martjin Van Iterson on his "In The Style Of..." videos.

    It starts nice and clear enough, but then over that ii-V that comes on bars 7-8 (Bbm7-Eb7) he chooses to play... F#7b9 Phrygian Dominant (B harmonic minor)
    Attachment 130980

    This is a little clip of me playing from the start of the song up to that point, before resolving to Am7 on bar 9

    Just a moment...

    Can someone please explain why this choice of scale? It seems totally out of place there, yet it sounds good.
    you're way over thinking it. It's just approach notes. He didn't choose a scale.