The Jazz Guitar Chord Dictionary
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  1. #151

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    And here's a bit on a Sel-mac style guitar. Happy with the live sound on this one. Tonedexter through an AER alpha, and the PA.



    I generally aim for more of 30's rhythm guitar sound than a more modern Manouche one.

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    The Jazz Guitar Chord Dictionary
     
  3. #152

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    And to give you a break from me, here is one of the modern masters, Julien Cattiaux from Paris with the amazing Adrien Moingard on lead (my mate Marcus Penrose on bass.)




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  4. #153

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    Quote Originally Posted by Christian Miller View Post
    And here's a bit on a Sel-mac style guitar. Happy with the live sound on this one. Tonedexter through an AER alpha, and the PA.



    I generally aim for more of 30's rhythm guitar sound than a more modern Manouche one.
    Excellent, looks like another fun gig, and now that's what I call proper 'Rhythm Guitar'.

  5. #154

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    looks like so much fun honestly!

  6. #155

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    Charlie, you are very good at rhythm guitar. May I call you Charlie?

  7. #156

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    Quote Originally Posted by Christian Miller View Post
    This is how I'm playing these days. Quite old school. Notice that I'm using only grips from the Jonathan Stout hand out lol.


    I was enjoying this gig honest. playing with Sousa is fun.


    If you get a chance I'd like to hear a bit about how you approach playing like this on an electric guitar.

  8. #157

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    Quote Originally Posted by Christian Miller View Post
    And here's a bit on a Sel-mac styl

    I generally aim for more of 30's rhythm guitar sound than a more modern Manouche one.
    so the alternative being sort of dryer..more staccato?

  9. #158

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    Quote Originally Posted by mr. beaumont View Post
    If you get a chance I'd like to hear a bit about how you approach playing like this on an electric guitar.
    This is the reason I started this thread

    Making the solid body guitar sound acoustic with palm-muting.

    I wanted to know if people have done this kinda thing.

  10. #159

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    Quote Originally Posted by mr. beaumont View Post
    If you get a chance I'd like to hear a bit about how you approach playing like this on an electric guitar.
    In general, roll off the volume. You can see me turn up slightly at the start of my solo

    You need a percussive attack. And you also need to not have too much bass.

    The secret of rhythm guitar is to develop a percussive touch without necessarily being loud

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  11. #160

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    Quote Originally Posted by joe2758 View Post
    so the alternative being sort of dryer..more staccato?
    In general, simpler chords. Moving bassline type figures. Not many II-7 chords. I think maybe less staccato as well. I like to have plenty of chord on the 1 and 3.


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  12. #161

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    Quote Originally Posted by joe2758 View Post
    Charlie, you are very good at rhythm guitar. May I call you Charlie?
    Thanks. It’s probably one of my main saleable musical skills. Maybe my only one lol.

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  13. #162
    djg
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    Quote Originally Posted by brent.h View Post
    This is the reason I started this thread

    Making the solid body guitar sound acoustic with palm-muting.

    I wanted to know if people have done this kinda thing.
    hono winterstein does palm muting:


  14. #163

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    Quote Originally Posted by djg View Post
    hono winterstein does palm muting:

    Yeah, I saw Bireli a few years back and came out a bigger Hono fan.

    His demonstration of the ‘pompe Manouche’ at the start is similar to my default right hand approach FWIW, what I mean by 30s style.

    I should give the palm muting thing a go. Good for quieter instruments.

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  15. #164

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    What exactly did you change on your actual guitar, for example, when you switched from rhythm to rippin solo on the sousa vid

  16. #165

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    Quote Originally Posted by joe2758 View Post
    What exactly did you change on your actual guitar, for example, when you switched from rhythm to rippin solo on the sousa vid
    Just turned up a bit - you can see it after the first couple of phrases

    I have worked quite hard at balancing my rhythm and single string playing - but I still usually need a solo boost.


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  17. #166

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    Quote Originally Posted by brent.h View Post
    Ok I'm stealing some moves.
    public domain man, nothing I invented haha

    Coolest move in here is playing a 4-5 turnaround to a jazz audience

    iykyk

  18. #167

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    yes public domain is awesome...I know i said before that im more into melody than lines now, but im trying to learn that shreddy ascending lick in Christian's video... Very entertaining!

  19. #168

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    actually i think he copyrighted that one

  20. #169

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    Quote Originally Posted by brent.h View Post
    yes public domain is awesome...I know i said before that im more into melody than lines now, but im trying to learn that shreddy ascending lick in Christian's video... Very entertaining!
    That’s my only lick. I won’t even know who I am if you nick that


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  21. #170

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    napster will work in this case right?

  22. #171

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    Quote Originally Posted by Christian Miller View Post
    That’s my only lick. I won’t even know who I am if you nick that


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    stealing my way to jazz fluency sorry

  23. #172

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    I've heard that regularly playing this style of music will cause hair loss.