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By simply studying Miles Davis's So What (religiously) and other various takes by other artists I came to understand what modes are all about. It does have a sense of mystery to it as JonR pointed. But I would also add that it calms and relaxes you also. Guess that was why I couldn't stop listening to Hancock's maiden voyage when I first heard it.
Last edited by smokinguit; 04-05-2015 at 10:16 AM.
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What are the disadvantages of just using
Parent Keys instead of learning A Dorian as a separate Scale ?
I don't like the sound of playing Scales too much except I do like Pentatonics ( especially with other stuff added or different endings but scale fragments sound OK).But anyway - what about this :
So instead of A Dorian I can use any structure including Arpeggios and Arp Fragments , Triads, from the Parent Key of G major including the Major Scale and the I , IV, V Major Pentatonics and their Relative Minors as long as I resolve to an A minor Chord Tone or extension ( which I would have to do anyway) .
Correct for Improvising ?
Now for Composition....( which I am actually more interested in ) Harmonically would I miss much with this "shorthand" approach ?
The "Parent Key" thing obviously works better IF you have a chordal Instrument playing the A minor Chord....in Solo Guitar you would have more responsibility to make the A Dorian Tonality or " Region"more Established ( region because it could be a Section or Vamp occurring within a Tune )...
But don't most Improvisers think Parent Key ?
Last edited by Robertkoa; 01-04-2016 at 11:43 AM.
Chunking, does it work for Jazz improv?
Today, 10:59 AM in Guitar Technique