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Our standard for Jan 2024 will be Billie's Bounce (Charlie Parker, 1945).
Background:
Jazz Standards Songs and Instrumentals (Billie's Bounce)
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12-31-2023 02:27 PM
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Should be a lot of takes on this tune. A truly practical standard.
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supersoul: You might want to check that melody. I think you're playing an E natural in bar 6. Shouldn't it be E flat?
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usually it's written Eb, but Mr. Benson plays an E natural.
Originally Posted by alpop
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Cool. If it's good enough for Mr. Benson who am I to complain?
Originally Posted by supersoul
Mr. Parker's version:
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What kind of guitar is that?
Originally Posted by supersoul
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After Hours Billies Bounce.
Got to rambling so I cut the video.
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I don't do bebop heads. I'm incompetent :-)
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It's an old East German archtop from the 50s that I completely overhauled. Carved, solid wood everywhere; the neck is a baseball bat without a truss rod that I've grown to love.
Originally Posted by AllanAllen
When I say "overhauled" it sounds like I knew what I was doing, but it was a Covid lockdown project of mine where I figured out everything myself. I was bitten by the Old German Archtop bug, inspired in part by various threads on here.
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I think I remember that, you were talking about adding a trussrod with hand tools right? Do you have a picture? It looks cool, the headstock and the fretmarkers are interesting.
Originally Posted by supersoul
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Here the thread from when I had just bought it. It looks the same but now it's much more playable. It has bigger frets now.
Originally Posted by AllanAllen
Vintage German Archtops
The neck was bowed. I didn't add a trussrod, but I flattened the neck relief by sanding it with long (spirit) level with sandpaper attached. I also flattened the fingerboard radius to be 10". The neck is so thick that it doesn't need a trussrod to stay straight. The fretboard is pretty narrow, but I was able to maximize the area by cutting the nut so the outer strings are closer to the edge. I also had to remove the back plate to address where the side wood had swollen and was bulging out.
That's a great thread, btw. There is a lot of good knowledge contained within.
Oh, and here's the uncleaned interior right after I took off the back: Vintage German Archtops
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You could if you'd practice them! Get it together ragman!!
Originally Posted by ragman1
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No, sorry, not my thing :-)
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Billie's Bounce is a veritable catalogue of melodic devices, ornaments, rhythmic tools and displacements cleverly packed into a blues form. It's such a smart piece, deep and full of months if not years of study. Anybody doing an analysis of all the goodies contained in this piece and using them to put together a bebop designed solo?
Originally Posted by ragman1
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Put it this way, it's better when other people do it :-)
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Even Charlie Parker had a time when it's as much a mystery to him as it is to you. He was curious and he wanted it. All a matter of how we spend our time. Hope the music that's yours is equally rewarding. It's in you.
Originally Posted by ragman1
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It's not a mystery to me, any more than rap is. It's just that I'm not interested, it doesn't grab me. Sorry about that.
Originally Posted by Jimmy blue note
Sounds like a gift card :-)Hope the music that's yours is equally rewarding. It's in you.
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This is awesome BTW. Shame it ends a bit abruptly though!
Originally Posted by pamosmusic
I'm gonna have to transcribe it... and steal at least some of it.
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Ah you’re too kind.
Originally Posted by James W
Though I can assure you, you’re not missing anything with the ending. Only downhill from there.
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I've recorded myself quite a few times recently playing this, but no attempts have been IMO quite as good as this, which I recorded in 2020 (and even this isn't that good lol).
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You seem to be holding your timing much more exactly than recently, James. Terrific!
(What happened in those other recordings, then, which we were all concerned about? Do you know?)
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Whew.
Originally Posted by ragman1
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Thanks. The recent recordings have all remained safely un-uploaded.
Originally Posted by ragman1



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