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06-08-2026 04:18 PM
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Looks like a still out of a film noir movie.
jazz is pretty much the soundtrack of film noir.
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It is a simplification, and I might be wrong, but the impression I get is that Parker was the very much the main source. (Dizzy had a big influence on trumpeters of course - such as Miles).
Sonny and Clifford came in a touch later. It all happened very quickly. Miles was playing with Bird by the late 40s and was still influenced by the records he put out a couple of years earlier. He had a seismic influence - listen to Don Byas in the late 40s for instance!
Monk had few musical heirs until later.
Sent from my iPhone using TapatalkLast edited by Christian Miller; 06-09-2026 at 05:37 AM.
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This is the "Count Basie" Swing version of "Pennies from Heaven" I know best. I played this version (badly) in a local Swing Band many years ago.
Edit: I also like the laid back 'Lester Young' recordings with 'Nat King Cole'. Recorded 1942.
Last edited by GuyBoden; 06-09-2026 at 08:49 AM.
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I consistently lurk here, but I needed to log in just to say that this Ethan Iverson post is phenomenal. Thanks for flagging it.
Reading through the solo transcriptions is a little phrasing masterclass.
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I think bebop is entirely a rhythmic thing. With those rhythmic accents it’s almost like funk. I think Mike Longo’s material is the best for understanding and playing bebop well
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Yeah I'm hearing more and more of a difference since this came to mind. I much prefer slow bebop (I generally don't play outside of 120-190) to swing licks for building my personal vocab.




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