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03-06-2025 11:41 AM
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I mean, me too?
Quite a lot of Charlie Christian in Allan - if you look at things in a sort of cubist way.
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I saw Allan at Ronnie Scotts once with his trio (probably 1990s?), I think Chad Wackerman was on drums. Unfortunately it was so incredibly loud that I couldn’t make out anything he was playing! It was like a stadium-rock wall of sound, heaven knows why they did that in a small venue like Ronnies. I had to jam my fingers in my ears, I think we left about halfway through. I could still hear a ringing sound a couple of hours later. Not good!
So at least I saw him, but that’s all I can say.
I find his playing quite interesting though, I have ‘None Too Soon’ which I like.
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This has not long dropped -
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I think after the last few years I've come to the conclusion that Allan is hard to play.
Sometimes you have to go the long way round for an obvious conclusion.
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Two words - Django Reinhardt.
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You say that, but it's nice to corroborate one's instinct with empirical research, I think.
But yes, Allan is difficult to play. I'm still working on some lines transcribed by Pete Callard - it's apparent how nifty Holdsworth's right hand technique was as well, what with large interval string skips and bursts of picking seamlessly woven into mostly legato lines. And he does it all so fast and smoothly...
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I think I'm the wrong species to play it
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Yeah, how it works for me is that the fingerings make sense mechanically, but they are still demanding and unfamiliar. It's very hard for me to make this sort of congruent with the rest of what I do. Lighter strings would also help I'm sure, but I don't want to do that for the same reason.
So I'm glad I looked into it, but it's not something that I feel is going to end up naturally in my playing.
There are other models of legato jazz guitar such as Tim Miller that seem more accessible.
Pete's great (as is Deryl Gabel) and they can play this stuff, but actually it's really fun to puzzle them out yourself. Transcribing the pitches is challenging enough, but after that it's like a super hard crossword puzzle. I'm not selling it well haha... but I did find it enjoyable.But yes, Allan is difficult to play. I'm still working on some lines transcribed by Pete Callard - it's apparent how nifty Holdsworth's right hand technique was as well, what with large interval string skips and bursts of picking seamlessly woven into mostly legato lines. And he does it all so fast and smoothly...
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I'm a big AH fan, the music I like best is his 1990 to 2000's. The era that included "Wardenclyffe Tower", "The Sixteen Men of Tain" and "None too Soon" etc.
Live in 1990 to early 2000, I think he was fantastic.
He wrote some sublimely beautiful compositions, for example "Above and Below".
AH was true pioneer of the guitar, who created his own voice.
Edit: Yes, Derryl Gabel is great, I've posted his videos a few time.
He has a newish video, that show the AH chord voicings I've always admired, using one of my fav AH songs "Above and Below".
Last edited by GuyBoden; 06-05-2026 at 12:53 AM.
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I first heard AH on a record I bought by accident; I was hunting the stacks for a Steve Hillage record I believed was called "Gong" and found one that had "Gong" on the cover. A glance at the French names on the back seemed hopeful since SH was playing with a bunch of French hippies at the time.
This record turned out to be "Expresso II" by the band named "Gong"; a kind of progressive jazz rock fusion project featuring vibes(!), drums, fretless bass, and AH on guitar (1978).
If you just want to hear AH flying go to just before @3:50... he's the one that sounds like a violin.
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Some raw 70s Allan
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The Allan Holdsworth Quartet - Live At The BBC 1978
First tune - Keith Jarrett's "Questar"; 2nd - Kenny Wheeler's "Smatter".
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With Bill Bruford, Dave Stewart, Jeff Berlin and Annette Peacock.
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In case anyone else was wondering (as I was) "Who Was In The Allan Holdsworth Quartet in 1978?", according to that youtube link it's
Allan Holdsworth - Guitar
Darryl Runswick - Bass
Harold Fisher - Drums
Pat Smythe - Piano
Must have been a very short-lived band, because I'd never heard of it (nor any of those players) and I know Allan started 1978 touring with the band U.K., and by 1979 was working with Bill Bruford's eponymous band again.
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Holdsworth also played on drummer John Stevens' 1977 free jazz album "Touching On":
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Here's Holdsworth once more playing free stuff with John Stevens, along with bass player Danny Thompson, from the 2009 album "Propensity". Note that he's playing acoustic 12-string.
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This is a very high level of play.
I remember when I played in one of the hotels in Warsaw.AH was sitting at the hotel bar and chatting with a pianist I knew.
He seemed to be a very nice person.




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