The Jazz Guitar Chord Dictionary
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  1. #26

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    Once upon a time I slapped on a double bass playin rockabilly, gave it up to learn the secrets of the twang box … would love to pick it back up only in the stylings of bluegrass perhaps ? but currently still exploring roots/rock n roll stylings on that twang box. And taking the occasional acid trip of course ?

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    The Jazz Guitar Chord Dictionary
     
  3. #27

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    You gotta see this guy William Ash. He was like a warp speed Wes Montgomery. Then he switched to double bass for some reason and his guitar playing hasn't been heard from since. Maybe he found some good paying gigs or something. When he was a guitar player he was at the top of the scene in NYC. Then one day he just said FUCK IT!







  4. #28

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    I've been playing the double bass for a year, I wanted to keep it like something very personal like a kind of secret even if I post videos... The telephone rang.

  5. #29

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    Quote Originally Posted by Lionelsax
    I've been playing the double bass for a year, I wanted to keep it like something very personal like a kind of secret even if I post videos... The telephone rang.
    Sounds great. Was the call to join a band or play a gig?
    With me, I had the phone call before I had the bass!

  6. #30

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    Quote Originally Posted by garybaldy
    Sounds great. Was the call to join a band or play a gig?
    With me, I had the phone call before I had the bass!
    Both but I refused because I thought I wasn't ready for that.
    Now I play with people, the guitarist I play with says I play better than people who have been playing for fifty years, they are maybe old and disable I think.

  7. #31

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    Quote Originally Posted by Lionelsax
    Both but I refused because I thought I wasn't ready for that.
    Now I play with people, the guitarist I play with says I play better than people who have been playing for fifty years, they are maybe old and disable I think.
    You have to take the plunge and do the gig!!

  8. #32

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    Quote Originally Posted by JazzIsGood
    You gotta see this guy William Ash. He was like a warp speed Wes Montgomery. Then he switched to double bass for some reason and his guitar playing hasn't been heard from since. Maybe he found some good paying gigs or something. When he was a guitar player he was at the top of the scene in NYC. Then one day he just said FUCK IT!

    Oh my!

  9. #33

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    Quote Originally Posted by Maxxx
    Just wanted to ask if any of you as well as playing jazz guitar also play upright double bass regularly?


    Did you find the the extra strength and physicality of playing an upright double bass impacted negatively on on your left hand and right hand technique and sensitivity when going back to playing jazz guitar?
    I'm only playing jazz guitar as a sideline, double bass being my main instrument.
    The only impact I've noticed is that it is quite hard to switch straight from bass to guitar without a few minutes in between to give my left hand in particular a rest. This is sometimes a factor at one jam where I have been taking a guitar so I can get some practice in when other bassists turn up and want a go.

  10. #34

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    Quote Originally Posted by Maxxx
    No distractions...

    Attachment 97192
    When I prop my db in a corner I always have it facing the other way.

  11. #35

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    Quote Originally Posted by garybaldy
    You have to take the plunge and do the gig!!
    Done ! I play the double bass in every band !
    A big band, a trio (piano, bass & drums) and others.

  12. #36

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    Yes !
    Now I'm a full time double bassist !


    Solo - YouTube

  13. #37

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    Double bass is my primary instrument. I'd like to play more guitar (I really need the practice) but bass is all people ask me to do.
    The only problem I find is when moving on to guitar just after playing the DB, when my hands will be fatigued or take a little time to adjust to the physically easier instrument. This is sometimes a problem as the only opportunity to play guitar in public at the moment is when another bassist sits in at a jam.

  14. #38

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    Yeah ! Summer heat !

  15. #39

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    Hi,
    I played Piano first but picked up a Spanish guitar at age 15, and by age 19 I bought my first archtop, a 1962 Guild Starfire thinline hollow body. Then at 36 years old, in 1993, I was given a broken Hofner 3/4 double bass and repaired it. Been playing DB at church ever since, to this day in fact. Always had trouble trying to play electric bass because my left hand fingers wanted to intonate right on top of the frets! The EB fret board is basically horizontal, while the DB fingerboard is played in a vertical orientation, which also completely threw me off. Then, several years ago, my friend called me up to do a jam and gig and said come over, we need a bass player. He had a 3/4 scale Fender Bronco bass, and I found it was just right, I made the leap and landed squarely on my feet, finding I could play it, but not as well as my Double bass, at least not yet. As time passed it became much easier and made me wonder why it had taken so long to make the changeover from DB to EB. I still love my DB, and prefer it over the EB, the acoustic tones are just fabulously rich, and playing arco on it opens another wonderful world of tonality.

    The bass playing has progressively made my guitar lead playing get better and also paved the way to walking the guitar bass strings notes between chords. I like playing bass more than guitar because if the chord is a C#-7(#5b9) I simply play a single note, C#!

    Yes you get callouses in different places on your hands from BD and guitar, no big deal. If you don't play guitar enough, you begin to loose some strength as the DB exercises different muscles. But if you augment your DB playing with EB playing, it helps you retain your guitar playing as EB playing uses the same muscles as guitar. I swap between guitar and bass regularly at practices and gigs, it's a fun break and the audiences love to see versatile musicians play different instruments, it adds to the overall mojo.

    It is much harder to sing while playing bass, especially to certain syncopated beats, but it becomes easier with time and experience.

    Playing multiple instruments that are related is a great way to widen your musical horizons, I even mess with my departed fathers 1916 Martin Soprano Uke and his 1920s Slingerland "Maybell" Banjo Uke (Banjo-lele), plus a Venezuelan Quatro, by Musica Magnus, we got in Caracas back in 1967.

    Jay Mendoza