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A heads-up for anyone else in the London area beyond me, Oz and Christian who may read this. Guitarist Ofer Landsberg has just started a fortnightly jazz workshop in Dalston. I went to the first session yesterday. Ofer studied with Barry for some years in NYC and his teaching largely follows the BH method. He's a really good teacher and we had a great time running scales and building lines over 'Perdido'.
Facebook link: Fortnightly Jazz Workshop with Ofer Landsberg
This Tuesday Ofer Landsberg will start a regular workshop at Babel Arts cafe, open to all levels of musicians who are keen on developing their ability to play and improvise over Jazz standards.
Ofer is one of the top Jazz Guitarists in London working regularly across the city so don't miss out on this opportunity to learn from one of the best!
The main focus of the workshops will be on melody, harmony & rhythm.
Using these three elements effectively to improve your understanding of improvisation.
Ofer will run the sessions alongside a rhythm section who will be there to play for all instrumentalists.
The sessions will be held every second and fourth Tuesday of the month, at 7pm until 9pm.
Entry costs £15.00 for two hours.
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09-26-2018 04:35 AM
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Originally Posted by rlrhett
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Originally Posted by joe2758
In any case, if we are talking about "Honeysuckle" can anyone tell me the scales for the A section. Here is what I would guess, but it seems off to repeat the same scale over so much (in Bb):
F7up/down
F7up/down
Bbmaj up
F7 up
Bbmaj up/down to 3rd of G7 (B)
Yes?
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Originally Posted by rlrhett
I prefer an Eb7 there
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yeah meant for the group, thanks rhett
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Hi everybody this is my first post. I have been reading through some of these posts and a few people referred to a guy named Roni Ben Hur. My question is, does he play in the style of Barry Harris or is he just a good jazz musician in general? I'm asking because before I purchase his lesson material I just would like to be clear on that. Any info would be great
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Originally Posted by Tdoloco
Backyard by Roni Ben Hur With Barry Harris Trio on Spotify
He's all about the Barry Harris system, he also had a few videos released on mymusicmasterclass two of which talk about improvising on minor blues and two of which talk about rhythm changes.
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Originally Posted by don_oz
Backyard is one of my favorite albums. Roni actually have another great album with Barry called “Anna’s Dance”. Both albums on the top of my list. Also, Barry’s playing there is amazing.
Roni also appears on Barry’s album “live in new york”
I like Roni’ lessons, but i don’t think there’s a better place that covers the basic stuff (other than Barry’s DVDs) than the things i learned from Barry Harris channel:
Things I've Learned From Barry Harris
- YouTube
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The only guitarist who actually plays in the *style* of Barry Harris is Pasquale Grasso. :-) To the point where I hear his influence - and Bud Powell - more than any guitar player.
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Originally Posted by christianm77
My boy!
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Rhythm changes:
Minor blues:
Roni Ben-Hur (Inside the Minor Blues) - Jazz Guitar Lesson 1
Roni Ben-Hur (Inside the Minor Blues) - Jazz Guitar Lesson 2
But Pasquale Grasso also has videos on my music master class talking about sing 6th diminished and improvisation
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Originally Posted by christianm77
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Originally Posted by joe2758
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Originally Posted by don_oz
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Originally Posted by joe2758
4 years later, still trying to learn how to play good!
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Thanks I appreciate the feedback
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Why are the " 5, 4, 3, 2 Phrases " respectively name "5", "4", "3", and "2" ? What does each number designate?
(they're "handy get out of trouble" phrases, use them to end and begin lines, also works for Dominant and minor cases)
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Originally Posted by rintincop
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Originally Posted by Tdoloco
How High the Moon: Anatomy of a Tune – Be-bop Style – Mike's Master Classes
Confirmation: Confirmation – Mike's Master Classes
The Diminished Chord - How to Alter and Apply: The Diminished Chord – How to Alter and Apply – Mike's Master Classes
Roni also has an excellent DVD (which contains a printable .pdf book) called 'Chordability'. He teaches drop 2 and drop 3 chord construction before moving on to more advanced BH concepts such as the six-diminished scales, borrowing notes etc.
His book, 'Talk Jazz Guitar' is a series of exercises to build facility with the BH "rules" for adding notes to scales, and music more.
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Originally Posted by Tdoloco
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Hi, I have been wondering about Barry's approach to dominant chords. I know that min7 chords are viewed as maj6 chords and that maj7 chords are viewed as maj6 chords and I know the correlating Sixth Diminished scales but when it comes to dom. chords I am at a loss. If anyone could shed some light on this it would be appreciated.
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Originally Posted by M2AX
m6 a half step up from the root of the dominant for altered dominants;
mix and match diminished notes to taste.
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Thanks pcjazz.
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Originally Posted by M2AX
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both please
-Max
Autumn Leaves (Jazz Guitar Live)
Today, 04:05 PM in The Songs