
Originally Posted by
pamosmusic
Triad pairs are not really chord-over-chord though, I don't think ... more a modal way of getting around.
And honestly I think these are actually way more intuitive for horn players than for guitar players. It's possible that's part of the reason everyone on this forum of guitar players keeps chiming in with some version of "lol why tho."
Most of the friends I have who are super fluent with triad pairs are sax players, it seems to be something they get into fairly naturally (probably also because speed is less of a barrier, so that sheets of sound vibe you get from triad pairs is more within reach too). I know a couple trumpet players who have talked about it a bit too ... though range seems to get in the way of the cascading effect a little. Not sure.
On the other hand, something about the Shapes and Patterns way we get around makes scales and individual patterns easier to get under our fingers, but can make different permutations of those patterns or organizations of the notes therein feel like completely different entities. So being able to play a C major scale on guitar -- even very well and in tons of permutations -- is no indication that a guitarist will be able to easily play an F-G triad pair, and playing the F-G pair doesn't help much with being able to play the Dm-Em, etc etc.
Calling you Framus folk
Yesterday, 09:38 PM in Guitar, Amps & Gizmos