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I have a complicated relationship with upstrokes. Comes from being told I was playing "le pompe" wrong by some hack gypsy jazz player who had some cred for some reason. Guy was a big dick about it, even when I had other players tell me they liked my rhythm. I took it personally. There's an upstroke in that style that people are very particular about.
Then I met a better player who said "just leave it out, most of these guys are only listening to themselves anyway" and nobody ever bitched about my rhythm again.
I think it sounds fine (done sparingly) I just don't do it. I'm sure I'll change my mind at some point.
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06-26-2024 06:33 PM
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I’m mostly paying attention because I was doing it all the time non-purposely
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I think Webby's advice as to "if it's on purpose, it's cool" is spot on.
Actually, regarding rhythm guitar I'd certainly refer to him over me!
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a little bit of rhythm playing.
If I were playing with a group I would have played it differently of course. The main thing is being the timekeeper, keeping that pulse chugging along, and making the rest of the band sound good.
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Love it Andy. I like that a lot. I didn't get to see the headstock though what do we have here looks like a modern design but the top looks like it has age to nicely
Originally Posted by supersoul
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Well I enjoyed that a whole lot.
Originally Posted by supersoul
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Today's musings: full chord vs single notes, and Dinah.
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It's a German archtop from the 50s. Hand carved solid wood. No name or symbol on the headstock or written anywhere inside. It's probably from East Germany, because it uses a single (Stauffer) bolt to hold the neck onto the body.
Originally Posted by pawlowski6132
Definitely an acoustic instrument, designed to project. It's really loud if I strum it with a pick!
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My take
Originally Posted by mr. beaumont
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For the B section, the first thing you played sounded the best to me. It brought out the decending line the best.
Originally Posted by mr. beaumont
I hear what you mean about the sound kinda choking up higher, when you're playing the x 8 10 10 9 x voicing. How about if you ditch the F root on the A string, so it's just xx 10 10 9 x -> xx 10 9 9 x -> xx 10 8 9 x. Just stick to the triad shape. It also lets the augmented sound come thru a little better, perhaps because there's not a root mucking it up.
Or you could try x 8 6 5 x x -> x 7 6 5 xx -> x 6 6 5 xx -> x 5 6 5 xx
It all sounds good. I like how you keep it simple and don't do a bunch of fast changes. I've been meaning to check out Louis Armstrong!
Is that a cicaeda visitor nearby?
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That VI7 happens on approximately zero of the old recordings I checked out, but I 100% agree it should be there...I left it out but boy did I want to put it in
Originally Posted by pawlowski6132
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Definitely agree, ditching the 5th string sounds better. Lots of things to play with...in a bigger group I'm probably not playing the CESH, but I sure do like it
Originally Posted by supersoul

The cicadas are almost gone, well, the periodical visitors...the annuals are arriving now, much bigger but there's not thousands in one tree, so much quieter as well...they sing much later in the day too, it seems.
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Originally Posted by mr. beaumont
I went rogue
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That's how I hear FG's playing - the other strings are there but ghosted. Kind of like Clyde Stubblefield's snare technique with James Brown...
Originally Posted by mr. beaumont
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Yep. So many relationships to drums it's not even funny!
Originally Posted by PMB
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How 'bout a little Friday morning 'I can't give you anything but love" ?
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What kind of Epiphone is that?
Originally Posted by pawlowski6132
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So, it's a 1935 Triumph. It's a 16" model.
Originally Posted by AllanAllen
I think my '36 L10 sounds MUCH better but, I just end up picking this up because it's so light and it plays really well. I feel really comfortable playing it. Really light, small neck, good action...
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Sounding great. Would definitely like to hear the L-10 for comparison.
Originally Posted by pawlowski6132
Part of what has been fun about this thread has been hearing different people's guitars. I still hope I can get more people to play along...maybe the lack of rules is a problem...people seem to like "assignments"
I'll definitely do a run on this tune sometime over the next few days...rainy today, puts the kibosh on any backyard playing, which is part of the fun for me
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It's prolly hard to hear the difference with mobile phone recording but, it's pronounced from where I sit. Anywho...
Originally Posted by mr. beaumont
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Unusual cut with Freddie Green taking the intro.
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That last ballad was cool. It inspired me:
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Wonderful job on that ballad!!!
That’s the comping I hear on these 30’s Billie Holiday tunes.
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Thanks much. Now you do one!!!
Originally Posted by AllanAllen



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