The Jazz Guitar Chord Dictionary
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  1. #26

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    Quote Originally Posted by joe2758 View Post
    I was thinking of the common Ab6/9 shape and lowered the top note to the melody note when I suggested it earlier
    I'm not sure why the Ab works as the first chord. Prolly makes most sense to think of it as the tritone of d-7

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  3. #27

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    Quote Originally Posted by acoustic_archtop View Post
    I'm not sure why the Ab works as the first chord. Prolly makes most sense to think of it as the tritone of d-7
    In Eb major, Dm7b5 is the VIIm chord, Fm6/7 is the IIm chord, and Abmaj7#11 is the IV chord.

    So you can use variations of them interchangeably. In this case we have Dm11b5 (D-F-Ab-C-G) = Fm6/9 = Ab^13#11

  4. #28

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    I knew i had done this one before...apparently 12 years ago...

    Not sure how much I like it...but i think I'll relearn it.


  5. #29

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    Quote Originally Posted by acoustic_archtop View Post
    I'm not sure why the Ab works as the first chord. Prolly makes most sense to think of it as the tritone of d-7
    No, it comes from the natural c minor scale. Simple!

    We are setting up c minor and then giving c major: night and day

  6. #30

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    Quote Originally Posted by Mick-7 View Post
    In Eb major, Dm7b5 is the VIIm chord, Fm6/7 is the IIm chord, and Abmaj7#11 is the IV chord.

    So you can use variations of them interchangeably. In this case we have Dm11b5 (D-F-Ab-C-G) = Fm6/9 = Ab^13#11
    Ahh, right. And the relative minor of Eb major is C Minor. Which is what we are setting up with the minor II-V-I. I missed that, thanx.

  7. #31

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    Quote Originally Posted by joe2758 View Post
    No, it comes from the natural c minor scale. Simple!

    We are setting up c minor and then giving c major: night and day
    Yes, got it now. thanx.

  8. #32

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    Quote Originally Posted by Mick-7 View Post
    In Eb major, Dm7b5 is the VIIm chord, Fm6/7 is the IIm chord, and Abmaj7#11 is the IV chord.

    So you can use variations of them interchangeably. In this case we have Dm11b5 (D-F-Ab-C-G) = Fm6/9 = Ab^13#11
    For you kids at home playing along, here's another way to look at it, easy for my Pea Brain to understand it:

    Key and function notwithstanding:

    F-7 = Ab6

    F-6 = D-7b5

    If F-7 subs for F-6, then Ab6 subs for D-7b5

    And so, in the key of C, for Night and Day, the first chord is written sometimes as D-7b5 or Ab6 or some variation.

    Also...Ab6 = D-7b5b9 (rootless) so...to the ear, that's the comparison.

    Writing it out, to me it would make more sense to write it as D-7b5b9 and not Ab6. If that was the specific harmony the arranger wanted. Then the fidelity of the function of the chord would be evident. In other words, if it's a II-V-I, show that.
    Last edited by acoustic_archtop; 06-23-2026 at 09:04 AM.

  9. #33

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    Quote Originally Posted by mr. beaumont View Post
    I knew i had done this one before...apparently 12 years ago...

    Not sure how much I like it...but i think I'll relearn it.

    Nice man. Re-record, would love to see version 2 after 12 years of playing.

  10. #34

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    Having had a chance to play through the tune now, I actually like Ab dim7 with the G in the melody; just like the first chord of Stella. Not so modern sounding

    4x3433

  11. #35

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    Hmm, a couple of other fake books have the first chord as Ab^7 (in the key of C). It's Dm7b5 in the Real Book but it is notorious for turning progressions into II-V's whenever possible. Makes me want to look up Cole Porter's original sheet music.

  12. #36

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    Quote Originally Posted by Mick-7 View Post
    Hmm, a couple of other fake books have the first chord as Ab^7 (in the key of C). It's Dm7b5 in the Real Book but it is notorious for turning progressions into II-V's whenever possible. Makes me want to look up Cole Porter's original sheet music.
    You could play whatever you want. What would you play??????

  13. #37

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    For reference, here is Ralph Patt's vanilla chart.....

    Night and Day-night-day-ralph-patts-vanilla-book-01-jpg

  14. #38

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    Sat down with it again today. Here's just the melody...

    As far as Dm7b5 vs an Abmaj type chord, I say ¿porque no los dos?



    Im glad the OP brought this tune up and if you like anything I do, feel free to steal it.

  15. #39

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    If anyone cares, the first chord in the 1932 sheet music is Edim

    So in C, C#dim to G7

    And the bass would go C# D E

  16. #40

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    Very much interests me-- do you have a link? Id like to look at the whole thing.

  17. #41

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    Yeah man, I used to literally buy these on ebay for way too much money

    then I learned about this site here. Freakin amazing

    Night and Day – Sheet Music Singer

  18. #42

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    I'm sorry, all. I was incorrect those chords were the intro!

    First chord straight up c min

  19. #43

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    Last thing, Dick Hyman's changes have the Abmaj

  20. #44

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    It’s Abmaj7


    Sent from my iPhone using Tapatalk

  21. #45

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    Quote Originally Posted by joe2758 View Post
    I'm sorry, all. I was incorrect those chords were the intro!

    First chord straight up c min
    After the pick up of the chorus the 'first' chord is written as a Cb maj 7 in the piano part (Cb in the bass) going to Bb7 in the 2nd bar.
    I tend to look these songs up on sheet music singer's youtube channel (unless you want to download the lead sheet).

  22. #46

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    Quote Originally Posted by joe2758 View Post
    Yeah man, I used to literally buy these on ebay for way too much money

    then I learned about this site here. Freakin amazing

    Night and Day – Sheet Music Singer
    WTF? It"s free?

    BTW, I have few absolutes when it comes to subs for standards, but Night and Day has to start with a bVI Maj7 on the first beat of the A section. I agree with Mick about the overuse of the ii7 chord. When Bill Evans used ii7b5 for that, I realized that I was not going to be a BE imitator, like this pianist I used to play with, who made us use only BE changes, play BE tunes, and play standards that only BE played.
    Last edited by sgcim; 06-23-2026 at 07:16 PM.

  23. #47

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    Quote Originally Posted by Christian Miller View Post
    It’s Abmaj7


    Sent from my iPhone using Tapatalk
    whelp there you have it, pack it in boys!

  24. #48

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    Oops! Sorry.

  25. #49

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    Quote Originally Posted by garybaldy View Post
    After the pick up of the chorus the 'first' chord is written as a Cb maj 7 in the piano part (Cb in the bass) going to Bb7 in the 2nd bar.
    Yeah you're right, it is easier to call it that than Ebmin/Cb! It was misleading that I called it "straight up c minor"

  26. #50

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    I think maybe the one thing we can agree on is that the verse blows?

    Maybe?