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Peace
Originally Posted by KingKong
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11-13-2022 03:07 PM
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Hasn't he been dead for years and wasn't he more of a dancer / TV presenter? What's he doing talking about jazz guitar?
Originally Posted by Christian Miller
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lol wrong Bruce mate (Forsyth).
Originally Posted by KingKong
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Here’s Bruce Forman - a very serious guy. Actually there is a slight resemblance...
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Maybe worth some discussion on the confusion concerning key,
modulation, local key center, and CKT ("Chord Key Theory")...
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Wtf?! More than a slight, that is Brucey hands down!
Originally Posted by grahambop
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\
Originally Posted by KingKong
Well he was a big jazz fan, actually. Very much into Bill Evans - true fact.
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Wait a minute!
Originally Posted by KingKong
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Only fair to show Bruce Forman playing (here he’s playing Barney Kessel’s guitar):
Originally Posted by KingKong
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I should have picked this one, more on-topic!
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He's not even afraid of the dusty frets!
Originally Posted by grahambop
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Well this brings the thread nicely back to its original topic.
Originally Posted by grahambop
Kessel's autumn leaves I'm assuming played on that very same guitar is one of my favourite versions:
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Some nonsense I charted out. Make of this what you will.
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FFS what's with the piano score, no one can read a note of it?!
Originally Posted by Christian Miller
Where's the tab,not got time for this...?
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Or perhaps Cannonball Adderley is to blame? His late '50s album, Something Else (featuring Miles in a rare role as sideman) has one of the best known versions of "Autumn Leaves". It's also one of the first recordings in Gm/Bb. Adderley would have played a concert key chart in Em/G on his alto sax for the session with the result sounding down a major 6th.
Originally Posted by Christian Miller
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Is there anyone that doesn't think Autumn Leaves' first chord
is actually unsounded Em harmonic context for the anacrusis?
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It sounds better in Em. Or even Dm.
(ducks and covers)
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according to this: History and Analysis of “Autumn Leaves”
it was originally in Amin
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Yves did it in Dm, Edith in Bbm.
Originally Posted by supersoul
What was that tomfoolery about not needing to know songs in different keys?
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There you go
Originally Posted by KingKong
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Get it together Kong! :P
Originally Posted by KingKong
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Right, who the hell is gonna know where all those notes are on the fretboard?!
Originally Posted by Christian Miller
I said tab!
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that is tab innit
Originally Posted by KingKong
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Originally Posted by supersoul 
according to this: History and Analysis of “Autumn Leaves”
it was originally in Amin
I was referring to the OP's version that "starts" with the Am7 but really starts with a silent Em harmonic context for the anacrusis.
Originally Posted by mr. beaumont
On knowing songs in different (or all) keys... imagine a song in Gb major, but you need to play an E major chord.
Which of these ways do you see it?
- the E major is seen as E G# B because EGB's intervals are stacked thirds, so you disregard the song's key signature of Gb major?
or
- the E major is seen as E nat Ab Cb, disregarding it as stacked thirds because EAC are the notes of those pitches in the key of Gb major?
or
- something else (apart from by ear) ?
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Oh, totally agree on the starts on the tonic minor part.
Originally Posted by pauln
My post had nothing to do with yours, it was meant to give some shit to Kongzilla.
If anybody thinks this isn't a minor key tune, they've never listened to it.



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