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Yep, that's all good, Jon.
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11-21-2012 10:20 AM
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Well, if C7b9 is resolving to Fmin, the Anat in C mixoydian is going to sound "F major". In this setting, thinking "F harmonic minor" over C7b9 doesn't seem any harder than thinking "C mixo with a b9".
Originally Posted by ColinO
And what's really wrong in jazz? Besides Hawaiian shirts.
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Damn, my jazz group is called "The Hawaiian Shirts". Should I change the name? We just signed contracts and everything....
Originally Posted by BigDaddyLoveHandles
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Generally Hawaiian shirts are considered "avoid" shirts but they can work in the right context if you are careful.
Originally Posted by JonR
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Yeah right, that's what I thought - "outside" shirts! We like to play outside.
Originally Posted by ColinO
The crowds demand it: "why don't you go and play outside!"
"Less is more", we say. And they agree: "We like it when you play less". In fact, John Cage's "4:33" is one of our most popular requests. (Still not sure what the best scales are for that one though...)
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I've been using a few choice triads that sound good to my ears.
Over C7b9 or C13b9, try these two little beauties:
Amin triad = A C E
Bbmin triad = Bb Db F
As well as sounding great, they have the distinct advantage of not having the 5th (G), if that's what the music needs.
Enjoy
GuyLast edited by GuyBoden; 11-22-2012 at 05:38 PM. Reason: Advantage of not having the 5th (G)
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There are some scales that can be used for this chord. I will share with you my personal favorites.
Originally Posted by Balalaika
Why don’t you play phrases by just using chord tones with some chromaticism. The chord tones are R-3-5-b7-b9. You can start thinking of 7b9 chords as Diminished seventh chords a step up.
As far as scales you can use the 5th mode of the Harmonic Minor Scale. Mixolydian b9,b13.
R-b9-3-11-5-b13-b7



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