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Probably more advanced. It’s pretty tricky and also just has a lot of music. If you want to tackle something like that, there are some blueses that might work well. Billie’s Bounce comes to mind. Also something like Dewey Square can be good. They’d still need to be slow.
Originally Posted by ARGewirtz
For what it’s worth too … I don’t think these tunes are super hard for learning players because of the scales and arpeggios, necessarily (sweet Jesus, all the usual caveats about scales and arpeggios being important and the better you know them the easier the tune will be and you should work them too).
I think the tunes are hard because of the time feel and articulation, but that’s exactly why you’d want to work on them. One big tip is—if you’re playing them down-tempo—play the eighth notes straight as an arrow. A big hangup for folks is that the rhythmic swing straightens out a lot as tempos get faster. So people practice them slow with a hard swing and then have a really difficult time as the tempo starts creeping up.
lots of other stuff goes into the time feel and stuff, but listen to lots of recordings while you’re at it and you’ll pick things up.
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12-01-2023 07:56 PM
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Bumping this one to the top too.
Originally Posted by AllanAllen
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I notice the OP plays in major thirds tuning. I understand this on a theoretical level but I have no idea how it would affect playing bebop heads on the guitar on a practical level. Maybe it doesn't make any difference, if you're used to playing in that tuning. I'd be interested in hearing Donna Lee played on a guitar tuned in major thirds. Maybe that's where I've been going wrong
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Hearing it? It sounds the same, it’s the same notes, just in different spots.
Originally Posted by Irishmuso



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