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Hello. When I see posts of the best Jazz Blues solos, it seems the videos are mainly non-guitar. Could you post some really good Jazz Blues solos that have a prominent guitar solo? I like It Aint Necessarily So, by Grant Green, for example.
As always, Thanks in advance!
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03-23-2022 06:53 PM
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Philip Catherine's solo starts at 2:00. Note Blues in the Closet uses the jazz blues progression of I\IV\V but for the second part goes to IIIm\IVdom7, IIm\Vdom7 before returning to the I.
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That Catherine solo was wicked. At first I thought he was going to be taking a Bluesy approach only, then he just took off with a full-on Jazzier assault. I pretty sure he is not American, and I always find the lens that non-Americans view the Blues to be interesting and a bit unique. Thanks!
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Bill Doggett's Honky Tonk.the guitar solo is a classic..Billy Butlers playing is super tasty and has produced many riffs that are now
used as cliche fillers for many players
is it jazz.blues you ask..lets see
Jimmy Smith thinks so
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Here is Catherine again with the same song but with Kenny Drew and NHOP (again), for a live show. Catherine is playing a Les Paul here. Yea, Catherine is from Europe and was influenced by fellow Euro Rene Thomas. Catherine is one of my favorite guitarist since he can play various styles, uses distortion, blends a lot of notes and can even rock-it out, but still is a first rate bebop jazzer.
Originally Posted by AlsoRan
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Here is Doug Raney, son of Jimmy, with Pumpkin's Delight:
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Bob DeVos always has a nice blues vibe:
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That was one "jazzy sounding" jazz blues. The drums, and what sounded to my ears like a lot of 2-5-1 changes, as well as the solo, did not have much of a Bluesy feel. Although my ears could pick out the changes for the most part. It did not seem to have much pentatonic or blues scale, either. Man, this Jazz Blues style is very broad!
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This definitely reminds me of some local Live Jazz nights in which someone includes "The Thrill is Gone." It swings the pendulum to the "bluer" side of Jazz Blues. I can see what you mean by the cliches, especially the choral ones. For me, they are a great motif to add to a good Jazz Blues solo.
Originally Posted by wolflen
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I forgot about Bob Devos. I have 3 CDs from him that I bought years ago. He has some tasty playing.
Originally Posted by marcwhy
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Kenny Burrell is one of the 'bluesiest' jazz guitarists.
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I wonder when this Jazz Blues genre became popular. Was it with the rise of the Organ Trios? My understanding is most of the Bird era Blues were more of Bebop sound. And early Jazz Blues guitarists were not as plentiful as horn players until the late 50s and 60s. There just don't seem to be that many heralded Jazz Blues Recordings with Guitar as the lead.
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True. Now this is one example of some heralded Jazz Blues! Thanks for the reminder.
Originally Posted by grahambop
In fact, I am going to look up the lead sheet and see if I might be able to finally tackle it. I have been especially fond of this song since Dutchbopper posted his version a couple of years ago.
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I wonder what it even is... it's definitely no blues from what I hear (I guess using a blues scale or a 12 bar I-IV-V scheme doesn't give you a blues automagically...)
Originally Posted by AlsoRan
Now, if you want blues on a "jazzguitar" ...
(aaaahhhhh.... needed this!)
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You are right. What really is 'Jazz Blues?" Ah, the futility of trying to name a style of music. Still, the videos you posted were clearly undistilled Blues, and well-played too!
Originally Posted by RJVB
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Eddie Lang and Lonnie Johnson were doing it in 1929.
Originally Posted by AlsoRan
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Don’t forget that the blues was an essential part of jazz right from the start, as a genre within jazz it’s not a later development at all.
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Kenny Burrell on guitar.
Barney
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People need to expand their definition of the blues a little, I think...
Charlie Christian was blues as all get out.
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Some early electric guitar blues:
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This version cuts off the famous intro, where he says "It's a blues in B, watch me for the changes, and uh...try to keep up."
Originally Posted by grahambop
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What a shame there wasn't a Charlie Christian trio.
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Absolutely true, and not just on blues tunes.
Originally Posted by mr. beaumont
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Ben Monder playing blues on a piece with a New Orleans second line feel.
Originally Posted by mr. beaumont
Wait for it, somewhere his solo begins 3:08.
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Never meant to say they weren't ... undistilled, the way it's supposed to be in my book
Originally Posted by AlsoRan

(You can actually argue if it's not distilled from the purely vocal tradition which must be at the true origin of this music
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