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Yeah, you do enough of them, you start to realize how similar a lot of tunes are.
Originally Posted by Mick-7
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01-03-2026 11:24 PM
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You may be interested to know this tune was first composed in Db. For some reason that sort of morphed into Eb and here we are. Fine for chord melody but I find it a bit too treble-y for comfort. So I stuck it back to C which was much nicer.
Not that I couldn't do it in Db, of course, naturally
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Johnny Smith played it in C major, it's a good key for using open strings.
Originally Posted by ragman1
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I didn't know that.
Originally Posted by Mick-7
This tune seems to have attracted a lot of attention, much more so than most of the other monthly tunes. Anyone know why?
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Yes, the JS recording is probably the quintessential guitar version. It's odd that his recordings of other standards didn't achieve the same popularity (as far as I know).
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A beautiful version in the key of G....:
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I started transcribing Hirofumi Abasa's version to try and learn the song. Thought I would post a clip of what I have so far. Only a few seconds of it.
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cp, you're not gonna leave your strings hanging off your tuners like that, are you? It's a road hazard!
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Walk don't run?
Originally Posted by ragman1
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It wasn't his version that achieved the popularity!Walk don't run?
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ever get one of those days when your hands just don’t work together well I recorded this just now anyway
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I'm just in my second year of playing guitar and i'm learning a couple of chord melody arrangements of this tune..
I want to practice some comping to the Margaret Whiting version of this song.. kind of freddie green-style(?)
What chords and chord-voicings would you use?
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Originally Posted by GuyBoden
Believe it earned him unpopularity from Ventures fans.
Originally Posted by ragman1

Don't know that one, is it on YouTube?
Originally Posted by Smoothsailor
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It was Smith's fault they covered his tune? Funny fans.
Originally Posted by Mick-7
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Gosh, here it is.
It's the heavy chunk-chunk rhythmic background that's the Freddie Green style.
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Oh, I didn't know that Johnny wrote it! Should have read the liner notes!
Originally Posted by ragman1
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And also,,, there are "licks" in chord-melody playing just as there are licks in line playing. Learning to negotiate the simple ii-V-I chordally, substitutions, variations, voicings, changing the top notes the way Joe Pass said even in comping, you can put a "little melody" in the top line of the chord phrase.Once you know 7 or 8 such ii-V-I patterns, they are easier to use improvising--at least to me--than working line-licks in. I always forget single-note licks, but when I learn a new chord phrase, it tends to stick with me.
Originally Posted by mr. beaumont
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The story I heard was he was trying to do something on "Softly As In a Morning Sunrise" and came up with "Walk Don't Run." Never checked it out.
Originally Posted by Mick-7
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I am playing this interesting arrangement of Moonlight in Vermont by Dan Baraszu from a video which was posted earlier in this thread.
He very gererously allows anyone to download the PDF of his arrangement from his YouTube video.
As a challenge I am attempting to play it exactly as he did; the chart is very accurate to what he is playing in his video.
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Definitely borrowed Johnny Smith's first few measures of chords....
Originally Posted by kris
Kris, Did I hear you say in another thread that you have one of these? If so, how is it?
TC Electronic BodyRez Acoustic Pickup Enhancer Pedal
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Hi Mick,
Originally Posted by Mick-7
TC BodyRez It is a very interesting mini effect.I use it with my nylon strings guitar Frameworks.
This guitar sounds more classic with this effect, and it"s more fun to play.
Best
Kris
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Definitely! This is a very important point.
Originally Posted by lawson-stone
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Here's how I usually do it:
Frank Vignola has a cool lesson on Johnny Smith's version. I've practiced it quite a bit and can mostly do it, but not quite cleanly in time due to some of the stretches. Maybe some day ...
PS: I posted this by mistake in a different thread, so I deleted that and re-did it here.



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