-
..
Last edited by brent.h; 06-23-2026 at 12:16 PM.
-
12-05-2025 03:07 AM
-
I like how it ends on Db7.
Everyone plays F afterwards when we play it on the gig. Benny Goodman too avant garde.
You know, much this era of jazz is built from the bass line, not the chords. It’s the way they play rhythm changes back then as well. Take Lester Leaps In for example and listen to how Walter handles the bass line. It’s not the school changes and it’s very much variations on a set bassline, 1-3-4-#4-5
A Smooth One is sort of that backwards
If you know the bass line there’s standard ways of filling in the chords. According to Iverson they didn’t really have chord symbols back then - players filled in chord from the left hand of piano sheet music. So the bass is much more ‘locked in’ in this music.
Sent from my iPhone using Tapatalk
-
Fine, I'll link your video.
Originally Posted by Christian Miller
-
I like to do Bdim Bb6 Am(b13) F
Bdim: 7x676x
Bb6: 6x576x
Amb13: 5x556x
F: 5x356x
Then I get to pedal F on top of everything.
-
It reminds me of "hut sut rawlson on the rillerah"
-
The bridge definitely. The verse has so few different notes that it will fit as well, certainly over the iReal chords.
The hut sut song also dates from 1941.
-
Nuts I forgot I did that. I was just thinking, ooh that would make a good video.
Originally Posted by AllanAllen
Nah it's fine, I'll just do the same thing again with a slightly different focus and a new thumbnail. It wouldn't be the first time.
-
It’s tied for best with the one where you did shifting arpeggios a’la Wes Montgomery on Nicas Dream.
-
I’ve been working on that solo and I’ve revised my thoughts about the fingerings
Originally Posted by AllanAllen
Sent from my iPhone using Tapatalk
-
I saw that last night in the soup can video.
Originally Posted by Christian Miller



Reply With Quote

New LEDs Day
Today, 07:28 PM in Other Styles / Instruments