-
-
11-27-2025 02:20 PM
-
Nice one mate, interesting approach, could you elaborate where you got the inspiration from to go in that direction with the harmony please?
-
-Analyse the harmonyof the tune:essential for the understanding
Originally Posted by Basshead
-Know your chords with all the inversions :
I play the first eight bars of this tune (theme):
Fm/D-Bbm/Db-Eb7/Db-Ab-Db-G7/B-C -C
-Know the principalScales
-Choose inside a scale a MODE who fits with a given chord:you have a HUGE choice
ex for Cmajor seven
scale of G Major :CLydian,begin on any degree of the scale
scale of A melodicminor:C Lydian augmented,begin on any degree of this scale
scale of A harmonicminor:C Ionian augmented, begin on …
scale of E harmonicminor:C Lydian 9+,begin on…
scale of C harmonicmajor : C Ionian b6,begin on ..
scale of E harmonicmajor:C Lydian 5+9+,begin on..
scale of C doubleharmonic major Cmajor b6(Byzantin or Frans Liszt mode),begin..
scale of E doubleharmonic major ; C Ionian 9+5+,begin on..
scale of E NapolitanMinor : C Ionian 9+,begin on..
Scales of C-E-Ab augmented:T 9+ 3 5 5+ 7
Scale of C major pentatonic
Minor pentatonic scales:B min pentat,A min pentat,E min pentat,D min pentat
Other particular scales (3th mode of limited transposition of Messiaen,C pentatonic Hirajoshi,etc)
-
Ok cool, check my little version here, Im more into chord tones improv than scales but great info.
Instagram



Reply With Quote

Desmond/Bickert video
Today, 02:25 PM in The Players