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100% agree
Originally Posted by mr. beaumont
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03-21-2023 11:11 AM
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I’m not 100% on what this has to do with anything, but I may actually have a go at this. Tbh I haven’t transcribed much classical music, apart from partimento realisations and so on which are improvised and therefore not scored. Jonathan Kreisberg recommends doing it.
Originally Posted by kris
isn’t tasteful rubato a type of improvisation? ;-)
I’m pretty sure a transcription of Bill Evans or Chopin I made would both contain errors in the voicings, but I’m up for doing it. Tbh I learn more from the errors much of the time.
Obviously there’s a lot more to transcribing a Chopin piece to a bebop head, but that is not the argument you were making at that point, never mind. So yes, Chopin ballades and nocturnes are different from bebop heads. That said transcribing the exact voicings played by a jazz pianist and so on would be a more comparable activity, so I’ll give it a try and learn.
This is consistent with everything we have both said. You haven’t really contradicted anything I’ve said and vice versa.Last edited by Christian Miller; 03-21-2023 at 11:30 AM.
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indeed. Sorry about the past tense!
Originally Posted by kris
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Did someone say Chopin plays the blues? Not sure if I follow…
Originally Posted by kris
sometimes baroque music sounds bluesy to me though.
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Originally Posted by Christian Miller
I wonder if there are people who find this almost sacrilegious? I like it.
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Of course, as is being currently demonstrated :-)
Originally Posted by CliffR
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And let's not forget Beethoven and the blues:
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Let us not forget that Chopin's works are solo works for piano.
Warsaw airport is named after F.Chopin - it means a lot....for Polish people in particular.
I wish it had an airport named after Bill Evans- jazz piano genius.
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And, lest we forget...
Instytut Polski w Tel Avivie
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It's on You Tube. Three hours :-)
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My fellow jazzmen do it with Chopin:
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And this is a performance by a colleague from classical music...
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What do you prefer?
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No... I still like it also. I remember Peter and... yea Joe Cohn. I remember when he started at Berklee, we talked sometimes... I had a shit load of chops could read, but still sucked and had moved on to become a Comp maj etc... there were just too many really good guitarist... Anyway I remember how Joe became a great sight reader... in about 6 months. He was a strange dude, which I loved. I thought I remember Bill Leavitt really liked him... anyway...
Originally Posted by mr. beaumont
Why do all threads turn into BS... it's just music and most of us are just guitarist. We're not saving the world or doing volunteer work. Transcribing is very useful, not as much as getting your chops together, but part of life as musician.
I'm old school, transcribing was one of the few tools we had.
I would add to OP.... transcribe Tunes, you'll learn about FORM, and standard Jazz Chord Patterns and how melodies work with them .... and generally the lines aren't so fast but will teach you how jazz players use melody with harmony. (and standard rhythmic patterns). which will help later when you start working with solos. And you'll start a collection of Tunes to play...LOL
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At a certain points it has to turn to BS if the conversation is going to keep going, doesn't it?
Originally Posted by Reg
I'm guilty of it. I like talking about this stuff.
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We've been here before. I like ALL OF THEM!
Originally Posted by kris
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I like interesting conversations between guitarists. .We are just humans.
Originally Posted by mr. beaumont
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I'm not sure Beaumont is entirely human...
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Anything that sounds intelligent from me is certainly artificial.
Originally Posted by ragman1
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have you heard the Chopin album with Kurt? I actually love it.
Originally Posted by mr. beaumont
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No, I didn't even know it existed. I'm going to check it out.
Originally Posted by Christian Miller
I'm behind the times on Rosenwinkel...I have "The Remedy," love it, but I haven't listened to much else.
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I bought it when I saw him last year. It's a very fine album for sure.
Originally Posted by Christian Miller
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he’s not the leader (to my shame I can’t remember the pianist who is) more like the guest star soloist but it should come up. The core trio are actually fantastic so I’m sheepish the name is one ear out the other.
Originally Posted by mr. beaumont
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I'm not a fan of remakes of Chopin's music into jazz, but I like one record very much.
I've been listening to this for 15 years....swinging Chopin...:-)
Eugen Cicero - Cicero's Chopin (1966)
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cool Kris... sounds almost like christmas time



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