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The Robert Conti Study Group is now working on Ticket To Improv, Volume 4: Project 3 (Bluesette)
All are welcome!
Our study group has evolved a few basic guidelines that have helped us. These are based on the fact that most of us are either beginners in jazz improvisation or old hands who still feel like we haven't gotten a good grip on soloing yet. So, here's what we do:
- We move at the pace of 8 measures per week, learning the exercise solo composed by Conti and transcribed in the digital transcription booklet on the DVD. Some get behind, some run a bit ahead, but generally 8 measures per week is the norm.
- We post a video clip each week, typically on Tuesday, of ourselves playing the scheduled chunk.
- We use any background track we like. Conti has one on the DVD, but many other sources exist, and we use whatever we want!
- We don't do much critique, but sometimes do openly ask for advice. Mainly, we cheer, support, encourage, and empower each other. We don't offer criticism unless it's asked for, but positive advice is helpful.
- We try to learn the solo as written and also to make it our own in phrasing and timing.
- Some like to post a clip playing an arrangement of the "head" of the tune. That's fine, we enjoy it, but nobody is obligated or expected to do that.
- We avoid detailed wrangling over theory, but seek to grow in the actual practice of playing.
- We don't branch off much into other approaches to the tunes, other solos, other styles. We have succeeded so far because we stay focused!
- We don't regard any of these guidelines as inflexible and we don't get in arguments about it!
Note: This project is tricky since it includes a Coda... I will do my best to break the work into appropriate chunks... As always, post whatever you feel is appropriate!
Here is a proposed schedule for posting:
- January 8: Measures 1-8
- January 15: Measures 1-16
- January 22: Measures 1-24
- January 29: Measures 1-28 (1st verse, 1st ending)
- February 5: Measures 1-32 (1st & 2nd verses/D.S. al Coda and Coda)
- February 12: Measures 1-46 (full solo with D.S. al Coda and Coda and Ending Vamp)
- February 19: Final take (optional)
If you are planning to do this, please post a simple "I'm In!" or something like it.Last edited by losaltosjoe; 02-02-2019 at 05:30 PM.
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12-14-2018 11:12 PM
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I'm in.
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OK, this is one of the Rob Conti DVD's I don't own but a new year makes for new resolutions. If I can get a copy in time I'd like to give this a try-along. Had to listen to the tune to remind myself of it (Have both a Howard Roberts version and the Pass/Fitzgerald version, assume that's the track).
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Hy friends!
Here are some free transcription videos from Joe Pass, George Benson, Miles Davis, etc...
Maybe they are inspirations to the improvisation!
Montor Mate
- YouTube
Have a nice day, Mate
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Do you find the rote memorization of songs using the Conti method transfers over to your learning of non-Conti songs?
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Yes, because (a) he uses very popular standards that get played at jam sessions and (b) he uses a fairly limited musical vocabulary that you learn to use in various contexts. Typically the fourth tune on a DVD will explicitly reference the lines duplicated from previous solos. Once the group actually took another tune entirely and we all did solos on it using the phrases learned in the previous 4 tunes.
Originally Posted by Drumbler
So it's pretty "transferable" material. The genius of it, in my view, is that your fingers will say "Hey we've played this before" but your mind will be saying "But this is a different chord progression..." and you start seeing how licks and lines can be moved around.
For a strong intermediate player or advanced player, these solos would not be very challenging; but for folks trying to learn improvisation using tunes, and for folks who also would like, as a secondary benefit, to actually end up with something they can play with friends or at pick-up jam sessions, it's quite helpful.
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Hi Drumbler -- I agree with everything that Lawson wrote. Additionally, Conti does not encourage rote memorization. Yes, each project has a transcribed solo to memorize, but Conti always encourages you (and shows you examples of how) to make the lines your own based on your ability and what sounds good to you. There is so much more to his methodology than just memorizing a static solo. Cheers.
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Happy 2019 Conti Study Group!
Here is my take on bars 1-10. Note that Conti's arrangement begins with a 4 measure intro with the pickup notes beginning at measure 4 of the intro. For simplicity sake, I follow the bar numbering in the PDF. So bar 1 is the first bar of the intro.
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Nice work both -- am learning the track but have no great ability to record a video (pic in pic AndyB, impressed!!). Just to say, am keeping up so far, and imagine I'm not the only one wary of video-ing ourselves. Did not immediately like the track when I watched the Conti version but as always, his lines have a way of working themselves into my head. Guess people are moving onto bars 9-16 now....
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Hey guys. I'm running WAAAY behind but plan to get with the program pretty soon here.
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Hi odel, Thanks for the update. Glad to have you in the group. Before starting this study group I had never recorded myself. The thought of posting my videos for all to see is still a frightening proposition. But like most things, the more you do it, the easier (less hard?) it gets. I also agree that on first take, I wasn't a big fan of this particular solo but the more I play it the more I enjoy it. The 3/4 time is still causing some issues for me. And yes, I am working on getting bars 1-16 under my fingers. Cheers.
Originally Posted by odel
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Here is my take on bars 1-18. I opted to modify the rhythm for measure 11. I use the same notes but I start on the "and" of 1 and make the next 3 notes (F natural, A, C) a triplet. The rest of the solo is stock.
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Here's my take on measures 1-28 (including the 4 bar intro). It is the first verse of the solo. I played the solo as written except for modifying the rhythm slightly in measures 11 and 25.
I'm a bit ahead of schedule but as always, post what you can, when you can. Next week I hope to take a first pass at the head plus the first 24 bar solo.
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Guys I hate to have to do this, but I am going to have to skip this tune due to the weight of work commitments. I will continue to listen to your playing and cheer you on, but I will have to step back for the next month or so.
All the best!
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Since I posted this week's assignment (measures 1-28) last week, I thought I would post the solo (mm 1-28) along with the first 24 bars of the head (as I transcribed it from the 1964 Toots Thielemans recording). I bumped the beats per minute to 109 from 104).
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Here is my take on the full solo except the ending vamp. I expect to spend the next week or two working on the head, solo, and ending vamp. Sadly I still haven't memorized the chords to the tune. Lots of work still left before moving on to our next (and final) project. Cheers.
Last edited by losaltosjoe; 02-03-2019 at 11:41 PM.
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Great job taking it to the next level Andy! I loved your second solo. Very impressive.
Originally Posted by andyb
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Thanks Joe, what do you think about doing “Jazz Lines” as a study group?
Originally Posted by losaltosjoe
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Hi Andy,
Originally Posted by andyb
I'm planning to take some time off from study groups for at least a couple of months. My #1 goal for 2019 is to have a (memorized) repertoire of 6-8 solo chord melody arrangements and 4-5 standards that I could play with other musicians.
I am also planning on going back over the TTI material so that I am able to use the lines interchangeably over different tunes and chord progressions. I believe this is the objective of the TTI series of lessons. Given where I am as a guitar player, I've had to spend most of my time in this study group working on improving my technique, getting the lines under my fingers , and memorizing the solos. This is a necessary first step, but I'd like to take a second pass at the TTI material with an emphasis on the theory (reusing the lines) rather than just on the mechanics (learning the shapes).
BTW, I always have some Conti material on or near my music stand! I really like the Jazz Lines material and I refer to it often.
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So is there no plan to continue on to "Georgia on my mind?"
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Yes I believe we are going on to "Georgia on my mind" next, I was asking about what happens after that. My understanding is the TTI solos are to get some Jazz language under our fingers, then to move on to "Jazz Lines" that explains how to apply the lines.
Originally Posted by lawson-stone
I was just testing the water before ordering DVD.
andyb
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Hi Lawson. I absolutely plan on continuing on to Vol 4/Proj 4: "Georgia On My Mind"! Cheers.
Originally Posted by lawson-stone
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Here is my final take on Bluesette. I played the head, the two-chorus solo (our project), and then repeated the head. Warning, the video is over 3 minutes even played at 112 bpm. There are a few clams and I kind of mangled the blues licks at the end of the tune. But it is time to move on. I was surprised at how much I struggled with the 3/4 feel. I just never felt comfortably in a groove with this solo. But it was certainly a learning experience.
I will post a link for the new (final!) project later today in a separate thread.
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Here is the link to our final project (Volume 4, Project 4: Georgia On My Mind).
Robert Conti TTI Vol 4 Project 4 (Georgia On My Mind)
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Hope to see you all over at the "Georgia" project.



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