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Merry Christmas everyone, this went up the day before yesterday, hadn’t posted yet
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12-25-2025 03:41 PM
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I watched this when you first put it up on YT. Very helpful thanks.
Originally Posted by Christian Miller
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Saw it! Love your channel and Merry Christmas Christian!
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Thanks! Hope you had a great Christmas Day.
Originally Posted by Midnight Blues
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I hear that St. Nick used just one scale to weigh all his toys - don't know if it was a bebop scale though.
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The backdoor dominant one was a new one for me. I've always struggled with that sound.
Originally Posted by Christian Miller
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Interestingly.
Originally Posted by charlieparker
If you change a minor ii-V-I to it's relative Major ii-V-I, knowingly or unknowingly you use the backdoor dom scale.
C minor's relative Major is Eb.
minor: Dm7b5-G7alt-Cm7
Relative Major: Fm7-Bb7-EbM7
(As taught to me 20-25 years ago.)
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What I really like about your videos is that, after I watch them, I end up sitting with my guitar for an hour or so trying the stuff you demonstrate. The bite-sized single-concept approach is really good for my increasingly enfeebled 70 year old brain!
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I did Christian, thank you.
Originally Posted by Christian Miller
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I'm gonna put this scale to work on my horn. Thanks Christian.
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Nice work, Christian. Lots of useful information here.
All the best for the season!
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Something struck me whilst watching this video in between peeling sprouts and cutting up swede, eating and drinking! The tritone option (of which I've been aware for quite a number of years), which replaces the G7 with a Db7, means the scale used is not only the Db dom scale but also the Gb maj scale. So one is actually playing Gb maj scale over a G7. Weird that it works.
Originally Posted by Christian Miller
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Why play the root note?
Originally Posted by Mick-7
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So it is… of course.
Originally Posted by garybaldy
Gb major is the most distant key from C major. So it has the most neighbour tones to resolve into the target tonality.
But probably best not to overthink it.
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Originally Posted by Mick-7
It's just that I'm apt to use the note (G) with the F-F# over G7 and Dm7.
Originally Posted by Christian Miller
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Yeah, but Christian's lesson is about using the Db dom scale where he doesn't play a G but a Gb. I know the G is a chromatic note but so are a lot more! Unless I'm mistaken.
Originally Posted by Mick-7
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That's my problem but recently I've be trying to improvise without thinking too much about the chords. I've seen a YT clip on You'd Be So Nice To Come Home To where it's mentioned. ps I've been experimenting with your lesson on that song!
Originally Posted by Christian Miller
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Watched again. Very good video. Clear and to the point. Well done.

I've only been using the BH added note scales for about year, they're good. But, I already knew the Bebop scale and that's still the scale I use most when improvising solos.Last edited by GuyBoden; 12-27-2025 at 01:03 PM. Reason: Excellent, I've just downloaded the PDF. Keep up the good work.?
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Great idea -good to it on every tune you can think of
Originally Posted by garybaldy
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I've just downloaded the PDF. Keep up the good work.
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Originally Posted by garybaldy
- the Db dominant scale has a Gb in it. What is the "one scale" referenced in the video? Mixolydian + the leading tone?
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Did you watch the video?
Originally Posted by Mick-7
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I'm Sorry Christian but 18 minutes far exceeds my patience quotient.
Originally Posted by Christian Miller
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Then why comment on it?
Originally Posted by Mick-7
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Actually, I didn't comment on your video (but I did watch a fair bit of it), I replied to this comment:
Originally Posted by Christian Miller
Originally Posted by garybaldy



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