The Jazz Guitar Chord Dictionary
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  1. #1

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    Merry Christmas everyone, this went up the day before yesterday, hadn’t posted yet




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    The Jazz Guitar Chord Dictionary
     
  3. #2

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    Quote Originally Posted by Christian Miller
    Merry Christmas everyone, this went up the day before yesterday, hadn’t posted yet





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    I watched this when you first put it up on YT. Very helpful thanks.

  4. #3

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    Saw it! Love your channel and Merry Christmas Christian!

  5. #4

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    Quote Originally Posted by Midnight Blues
    Saw it! Love your channel and Merry Christmas Christian!
    Thanks! Hope you had a great Christmas Day.


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  6. #5

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    I hear that St. Nick used just one scale to weigh all his toys - don't know if it was a bebop scale though.

  7. #6

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    Quote Originally Posted by Christian Miller
    Merry Christmas everyone, this went up the day before yesterday, hadn’t posted yet




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    The backdoor dominant one was a new one for me. I've always struggled with that sound.

  8. #7

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    Quote Originally Posted by charlieparker
    The backdoor dominant one was a new one for me. I've always struggled with that sound.
    Interestingly.

    If you change a minor ii-V-I to it's relative Major ii-V-I, knowingly or unknowingly you use the backdoor dom scale.

    C minor's relative Major is Eb.

    minor: Dm7b5-G7alt-Cm7

    Relative Major: Fm7-Bb7-EbM7

    (As taught to me 20-25 years ago.)

  9. #8

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    What I really like about your videos is that, after I watch them, I end up sitting with my guitar for an hour or so trying the stuff you demonstrate. The bite-sized single-concept approach is really good for my increasingly enfeebled 70 year old brain!

  10. #9

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    Quote Originally Posted by Christian Miller
    Thanks! Hope you had a great Christmas Day.


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    I did Christian, thank you.

  11. #10

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    I'm gonna put this scale to work on my horn. Thanks Christian.

  12. #11
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    PMB
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    Nice work, Christian. Lots of useful information here.

    All the best for the season!

  13. #12

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    Quote Originally Posted by Christian Miller
    Merry Christmas everyone, this went up the day before yesterday, hadn’t posted yet




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    Something struck me whilst watching this video in between peeling sprouts and cutting up swede, eating and drinking! The tritone option (of which I've been aware for quite a number of years), which replaces the G7 with a Db7, means the scale used is not only the Db dom scale but also the Gb maj scale. So one is actually playing Gb maj scale over a G7. Weird that it works.

  14. #13

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    Quote Originally Posted by Mick-7
    Yes, I've always just added the note G to the F#/Gb major scale - Voila, the altered scale! (+ the leading tone, F#).
    Why play the root note?

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  15. #14

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    Quote Originally Posted by garybaldy
    Something struck me whilst watching this video in between peeling sprouts and cutting up swede, eating and drinking! The tritone option (of which I've been aware for quite a number of years), which replaces the G7 with a Db7, means the scale used is not only the Db dom scale but also the Gb maj scale. So one is actually playing Gb maj scale over a G7. Weird that it works.
    So it is… of course.

    Gb major is the most distant key from C major. So it has the most neighbour tones to resolve into the target tonality.

    But probably best not to overthink it.


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  16. #15

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    Quote Originally Posted by Mick-7
    Yes, I've always just added the note G to the F#/Gb major scale
    Quote Originally Posted by Christian Miller
    Why play the root note?
    It's just that I'm apt to use the note (G) with the F-F# over G7 and Dm7.

  17. #16

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    Quote Originally Posted by Mick-7
    Yes, I've always just added the note G to the F#/Gb major scale - Voila, the altered scale! (+ the leading tone, F#).
    Yeah, but Christian's lesson is about using the Db dom scale where he doesn't play a G but a Gb. I know the G is a chromatic note but so are a lot more! Unless I'm mistaken.

  18. #17

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    Quote Originally Posted by Christian Miller

    But probably best not to overthink it.
    That's my problem but recently I've be trying to improvise without thinking too much about the chords. I've seen a YT clip on You'd Be So Nice To Come Home To where it's mentioned. ps I've been experimenting with your lesson on that song!

  19. #18

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    Watched again. Very good video. Clear and to the point. Well done.

    I've only been using the BH added note scales for about year, they're good. But, I already knew the Bebop scale and that's still the scale I use most when improvising solos.
    Last edited by GuyBoden; 12-27-2025 at 01:03 PM. Reason: Excellent, I've just downloaded the PDF. Keep up the good work.?

  20. #19

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    Quote Originally Posted by garybaldy
    That's my problem but recently I've be trying to improvise without thinking too much about the chords. I've seen a YT clip on You'd Be So Nice To Come Home To where it's mentioned. ps I've been experimenting with your lesson on that song!
    Great idea -good to it on every tune you can think of

  21. #20

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    I've just downloaded the PDF. Keep up the good work.

  22. #21

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    Quote Originally Posted by garybaldy
    Yeah, but Christian's lesson is about using the Db dom scale where he doesn't play a G but a Gb. I know the G is a chromatic note but so are a lot more! Unless I'm mistaken.
    - the Db dominant scale has a Gb in it. What is the "one scale" referenced in the video? Mixolydian + the leading tone?

  23. #22

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    Quote Originally Posted by Mick-7
    - the Db dominant scale has a Gb in it. What is the "one scale" referenced in the video? Mixolydian + the leading tone?
    Did you watch the video?


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  24. #23

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    Quote Originally Posted by Christian Miller
    Did you watch the video?
    I'm Sorry Christian but 18 minutes far exceeds my patience quotient.

  25. #24

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    Quote Originally Posted by Mick-7
    I'm Sorry Christian but 18 minutes far exceeds my patience quotient.
    Then why comment on it?


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  26. #25

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    Quote Originally Posted by Christian Miller
    Then why comment on it?
    Actually, I didn't comment on your video (but I did watch a fair bit of it), I replied to this comment:

    Quote Originally Posted by garybaldy
    The tritone option (of which I've been aware for quite a number of years), which replaces the G7 with a Db7, means the scale used is not only the Db dom scale but also the Gb maj scale. So one is actually playing Gb maj scale over a G7. Weird that it works.