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Any advice on ideas to try for voice leading from a backdoor dominant to the root? Oh, I see 5th off the dominant to 3rd of the root works. And 7th to 5th. I probably should have looked more closely before asking.
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09-17-2025 12:27 PM
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Suppose C7b9 going to D minor with a back door movement. C7b9 scale is identical to A7b9b13 (just superimpose them, you'll see). What that means is you can use all your voice leading ideas from A7alt -> D in the context of C7b9 -> D movement.
Another way to see this is that the C dominant scale with a b9 is the D harmonic minor scale, the dominant in the D harmonic minor is A7b9b13.
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Well they taught us in school that notes like to resolve up a half step or 4th, and down a whole step or 5th. So those are the legit rules I believe. But you can also just experiment and see what you come up with for your guitar voicings. It's an alteration so doesn't need some formal rule.
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Bb7 C
Originally Posted by CliffR
Bb Ab G F E
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In practice that chord often has a sharp 11 ...
So you get ...
Bb D F Ab C E
Play around with the little group of Ab D E resolving to G C E.
Or just Fm going to C.
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My best advice is to strum the chords and scat sing. When you sing something you like, put it on the guitar.
But, for the math ...
Bb7 is Bb D F Ab and extends to C, G. I'll omit the 11th for this post. Bb13.
Cmaj is D E G A B C (omitting the 11 - it's a C69maj7).
Notes in common: D G C.
Gravity (not an "official" word for it): Ab probably wants to resolve to G. F to E. Bb to C (or maybe B).
So, if you want to generate a line from rules, have it include some or all of D G C. And, then have the Gravity notes move accordingly. So, you have a line that includes, say, D G C F against Bb7 and then some or all of D G C E against Cmaj. So, notes in common and one note F to E, moving for the voice leading.
This is just an example to illustrate a way to think about it, not specific lines.
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I would say
Mostly the later
Originally Posted by CliffR
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X8788x
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That sounds pretty good to me.
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The men don't know but the little girls understand.
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Are you sure?
Originally Posted by AllanAllen
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That's also Valt - I. One reason the BD dom works.
Originally Posted by Christian Miller
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Thanks all for the great ideas.
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Nope, I mixed something up. I now have 2 chord licks to suggest.
Originally Posted by garybaldy
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It's part of the lyric to a song called Back Door Man.
Originally Posted by Strat-itis
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I knew it would end up being contextual.
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By the way, the backdoor dominant chord often resolves to the wang dang doodle chord, is that correct?
Originally Posted by rpjazzguitar
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No, you're thinking of the black cat bone, I believe.
Originally Posted by Mick-7
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Koko Taylor agrees..
Originally Posted by Mick-7
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Originally Posted by Mick-7
For those who may not be following our oblique musical references....
Originally Posted by wolflen
Top 12 Willie Dixon Songs – American Blues Scene
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Man, you need to go to the source. Got to be down with the Wolf.



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