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Originally Posted by wintermoon
It came all original except the guard which i'm glad was replaced but it already left non removable traces on the PU when gassing out
Originally Posted by wintermoon
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09-21-2016 04:41 PM
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Originally Posted by callouscallus
Originally Posted by hotpepper01
Originally Posted by citizenk74
Originally Posted by Dedalus
Originally Posted by Dedalus
Thanks guys - and in reality it's even more beautiful than on the foto
Originally Posted by Stringswinger
Thanks Stringswinger - at the moment i fight the 25 scale a bit, but i'm positive that i will soon improve my ability to switch between 25 and 25 3/4 with ease ;-)
Originally Posted by 2bornot2bop
Originally Posted by 2bornot2bop
Thanks 2b, yep those 70's backs really have my admiration and the top of this JS couldn't be nicer.
Last edited by JazzNote; 09-21-2016 at 05:09 PM.
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Congratulations. That JS is the guitar of my dreams.
I played a couple in Tokyo once (Walkin Guitars) but I can't remember if they are neck heavy.....because of the larger Headstock and large tuners.
Will it balance or will it fall toward the headstock when sitting on your knee?
Mind you....that wouldn't stop me buying a JS!
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Happy NGD !!! That is a real beauty. I only got to play one in my lifetime and it was never going to be for sale. it doesn't get more classy than that.
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JazzNote,
Magnificent! A blond Johnny Smith is a spectacular instrument. Using Choice select woods, that guitar is exactly what you were looking for.
So tell me how did you pull off such a score? Living half the world must must have presented challenges, no? I always wondered how the language barrier can affect the negotiating process.
In any case, you did good. The seller deserves kudos for keeping it nice and giving you a great deal.
Joe D
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Joe, i think because the seller advertised it only on his business website it did not draw so much attention. Also he wouldn't ship overseas which certainly kept away international buyers. I did quite some research on him until i was convinced that i could wire the money without worries, something which would seem to be very risky without any of the guarantees normally provided if buying via ebay/paypal or reverb. In addition to that i was lucky enough to get Steve's advice on how to negotiate and also his very valuable input in general and on some other GJS which he had tried out. The seller was very fair all the way, he even lowered the price once more at my request when the exchange rate turned unfavorably while payment was delayed due to his mistake.
Originally Posted by Joe DeNisco
Of course the language barrier is always present, but in spite of my limited vocabulary i feel that i usually get across what i want to express ;-).Last edited by JazzNote; 09-21-2016 at 09:41 PM.
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Originally Posted by Philco
Thanks and ...
yes a bit neck heavy, but it does not disturb at all when using the strap which i always do. When playing it sitting, without strap, the right arm can hold it comfortably without effort, so i think this is no issue at all.Last edited by JazzNote; 09-21-2016 at 09:43 PM.
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Thanks hot ford coupe. Right, as classy as it can be.
Originally Posted by hot ford coupe
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That's good of you to give our Stevie some kudo's on this.
Originally Posted by JazzNote
that is awesome. I am really happy for you JazzNote. You did really good. Enjoy the whole priceless experience.
Thank you for sharing it with us.
Joe D
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Yeah it is a class group here... And very classy of the dealer lowering the price as you explained.
Congratulations. And wow reading your posts I would have NO IDEA that English wasn't your primary language. Very nice.
Big
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JazzNote, Wow,what a catch! Congrats. Where do you guys find these pieces? There must be web sites that your all hiding from the rest of us. Beautiful guitar,enjoy.AG
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It looks absolutely great. I love the gracefully aged top and all the appointments make it look soooo classy. That is certainly a spectacularly nice guitar. Congratulations and enjoy it for a long time to come!
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Big, i much enjoy participating in this class group - very inspirational ...... and .... i was lucky that i could spend a couple of years in Boston when studying at Berklee in 84/85 and 87 so i got to know the language a bit.
Originally Posted by BigMikeinNJ
Last edited by JazzNote; 09-23-2016 at 01:55 PM.
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Thanks Archtop Guy, i have spent hours and hours of googling over the summer, sometimes getting up to page 50 in the search results, and then carefully inspecting all the fotos and sometimes asking questions to the sellers. So i literally knew every advertised JS. In addition to that i had help here in the forum, receiving private messages when a new one would pop up on Reverb or Ebay, plus from the members who posted in the FS section.
Originally Posted by Archtop Guy
Thanks FrankLearns. I will try to keep it as nice as it is, certainly not use it as a "workhorse" since it looks so great.
Originally Posted by FrankLearns
Last edited by JazzNote; 09-23-2016 at 05:42 AM.
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Jazznote, I Know the one I want now without all that searching. The trick is getting you to sell it to me.
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I'm really glad it all worked out, looks a very nice instrument.
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After all i found some time to do a demo of the 76 Johnny Smith. I'm not used to playing all alone (usually i take a looper to my solo gigs) but for this i decided it would be best to plug the guitar straight into the amp, no effects in between. I added a bit of reverb on the clarus though.
So it is the GJS straight into a Clarus 2R / Raezer's Edge Stealth 10 ER. Miked with a Royer 101 and just a tiny tad of sound from my modded Rode NT2 (RK47capsule). In addition to miking the cabinet i pointed a Schoeps MK4 on the top just below the tailpiece.
For a normal production i would add slight EQ to smoothen the sound a bit, but wanting this as straight as possible i left everything as recorded - no processing, editing changing sound at all.
Just one thing, i have added a tone control on the guitar a while ago and play it with a very slight roll off of treble. I still use the same set of 0.13 to 0.53 Ti swings which i put on when i received the guitar in September.
http://home.datacomm.ch/troubadix/GJS1976Demo.mp3
After doing this i realize that it doesn't come as easy as i hoped to switch between the scales of my different guitars. Beeing used to 25.5" scales it took me quite a few takes until i got rid of the worst audible fingering inaccuracies. In fact it took me a whole day of getting used to the Johnny until i finally got a result which isn't to "shameful".Last edited by JazzNote; 11-27-2016 at 12:06 PM.
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Beat,
Beautiful playing !! Tasteful , with soft melodic lines and no academic runs of uselessness. Executed with precision - sort of like your personality of perfection. I loved it - so did my wife - she generally does not like overdone jazz runs- but more melodic expression like this example.
Jimmy D'Aquisto use to relate excessive notes to politicians - lots of words but meaningless message . Not here - just lovely.Last edited by QAman; 11-27-2016 at 12:21 PM.
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Jazznote,
BRAVO! That was great. That really was outstanding.
Amazing sound, amazing playing, amazing recording.
The Johnny Smith sounds great in your hands. I really enjoyed that very much.
Joe D
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Jazznote, that sounds great! Great tone and tasty playing. That amp setup is superb with a Gibson humbucker (that is pretty much my go-to rig as well). Thanks for sharing.
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Just delicious. Well done!
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Thanks for listening to all of you!
Steve, playing is most of the time still a thrilling "adventure" for me. Trying to find the ideal mix of melody and harmony in a solo has kept me busy for quite some time and still does. Please extend my greetings to your wife.
Originally Posted by QAman
Joe, it's a special guitar which needs to be played with conviction to deliver. But once that is happening it's amazing what comes out of it.
Originally Posted by Max405
Stringswinger, for years and years i had been scuffling with amps. This stopped at once when i found the Clarus/RE combination. And as Joe and i found out, the seventies JS mini humbuckers produce outstanding quality sound.
Originally Posted by Stringswinger
Thanks citizenk!
Originally Posted by citizenk74
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JazzNote,
Originally Posted by JazzNote
It always amazes me how different people have different opinions of guitars.
The way I feel about my Gibson Johnny Smith is it is by far the most "touch sensitive" guitar I've ever played. I enjoy playing it with a soft touch. But when I pluck octaves firmly, I can hear the aggressiveness, almost overdriven notes that George Benson got out of his on the Breezin album, even on the live version of, "Ode To A Kudu". The only thing I can equate it to is the sound of a grand Piano or even a Fender Rhodes. You can get anything you want out of it. I've never bought something that I really wanted before that has matched or exceeded my expectations like the Gibson Johnny Smith. The D'Angelico Excel surprised me with the "beauty" of its sound, but I never played it as much as I should have, because I was afraid to ruin it..
I am glad you like yours too. It is a beautiful guitar, without a doubt.
Thank you QAMan for helping us out. If I was a professional athlete, I'd beg for you to be my agent.
JD
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"The D'Angelico Excel surprised me with the "beauty" of its sound, but I never played it as much as I should have, because I was afraid to ruin it.."
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Hey Max405,
Glad you and Jazznote are enjoying your GJS's - and thanks for the kind words.
Today - I'm headed over to see my good friend John Monteleone to play some new grand piano guitars. One day you need to swing by and I'll take you over to meet John- his instruments will blow your mind.



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