
Originally Posted by
charlieparker
I've transcribed a fair amount of jazz solos and didn't get much out of it by itself. I couldn't take the phrases out of the transcriptions and use them elsewhere. Analysis has helped me get more out of transcribing and take pieces out of the solo and use them elsewhere.
Now, I am not much of a player so take what I say with a grain of salt, but I find that although theory by itself is probably useless, but analyzing real jazz phrases with theory is a useful way to deconstruct them and use them in other contexts.
I've also found that focusing on specific things like connecting guide tones has been helpful. Bert Ligon's books are great, IMO.
Joscho!
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