The Jazz Guitar Chord Dictionary
Reply to Thread Bookmark Thread
Page 8 of 9 FirstFirst ... 6789 LastLast
Posts 176 to 200 of 215
  1. #176

    User Info Menu

    Quote Originally Posted by Beats_and_Guitars
    I had the same issue with the Vincent books initially…I knew I wanted to get to them but i wasn’t quite ready when I bought them.


    Sent from my iPhone using Tapatalk
    I believe once you become intermediate or advanced level, you don't need much explanation in the books. You just need more complicated chords, chord progressions, licks and technical skills shown in the notation? I could be wrong.

    As a beginner, I seem work better with the books describing and telling what and how to do practice in detail. For advanced readers, they would find the beginner level books boring.

  2.  

    The Jazz Guitar Chord Dictionary
     
  3. #177

    User Info Menu

    Quote Originally Posted by GBRow
    I believe once you become intermediate or advanced level, you don't need much explanation in the books. You just need more complicated chords, chord progressions, licks and technical skills shown in the notation? I could be wrong.

    As a beginner, I seem work better with the books describing and telling what and how to do practice in detail. For advanced readers, they would find the beginner level books boring.
    I understand where you’re coming from but I also believe there’s something good about stretching yourself a little out of your comfort zone as long as it isn’t too much of a stretch. Personally, I tend to see more growth when I’m study something slightly out of my level of understanding. If I need clarification on something I’ll do some research or ask someone.


    Sent from my iPhone using Tapatalk

  4. #178

    User Info Menu

    I was addicted to jazz guitar method books and still have a few but they are perhaps the slowest track to learning. These are the days of miracles and wonders…like video. Granted there is tons of b.s. on YouTube* but a subscription to Chris Whiteman’s Patreon channel or Frank Vignola’s TrueFire channel will propel you forward much quicker then struggling through books. You can LISTEN and WATCH and ASSIMILATE jazz guitar being played. Slow it down loop it. Print TAB and sheet music.

    An iPad makes it so convenient.

    Sometimes we don’t want to be beholden to an electronic device enter the printed page. But if you want to really learn why not take advantage of modern technology?

    * wading through (and ignoring) all the jazz instruction noise out there is an art unto itself…..that is why I think the song based approach is the way to go…pick a song and then seek support on how to deal with that song from your favorite sources…at the end of the day at least you can play that song

  5. #179

    User Info Menu

    Quote Originally Posted by alltunes
    I was addicted to jazz guitar method books and still have a few but they are perhaps the slowest track to learning. These are the days of miracles and wonders…like video. Granted there is tons of b.s. on YouTube* but a subscription to Chris Whiteman’s Patreon channel or Frank Vignola’s TrueFire channel will propel you forward much quicker then struggling through books. You can LISTEN and WATCH and ASSIMILATE jazz guitar being played. Slow it down loop it. Print TAB and sheet music.

    An iPad makes it so convenient.

    Sometimes we don’t want to be beholden to an electronic device enter the printed page. But if you want to really learn why not take advantage of modern technology?

    * wading through (and ignoring) all the jazz instruction noise out there is an art unto itself…..that is why I think the song based approach is the way to go…pick a song and then seek support on how to deal with that song from your favorite sources…at the end of the day at least you can play that song
    Definitely agree about the iPad. When I can find a PDF I prefer to have that on the iPad. Fortunately Randy’s books are all available in PDF. My practice setup is actually two iPads one for recording and the other for whatever I’m studying.


    Sent from my iPhone using Tapatalk

  6. #180

    User Info Menu

    Quote Originally Posted by Beats_and_Guitars
    I understand where you’re coming from but I also believe there’s something good about stretching yourself a little out of your comfort zone as long as it isn’t too much of a stretch. Personally, I tend to see more growth when I’m study something slightly out of my level of understanding. If I need clarification on something I’ll do some research or ask someone.


    Sent from my iPhone using Tapatalk
    If the book's content is hard to digest, then you tend to just mull over what it could mean, or wonder why it is relevant to your practicing wasting time, instead of grabbing a guitar and follow the instructions or ideas in the book.

    Owning books automatically won't make the student a good guitarist. The student must pick up a guitar and has to play the songs, tunes, scales, arpegios, chords or phrases in order to improve. Books can only assist with some ideas and knowledge on know-how, if books can deliver the know-how on the practice and skills in coherent way, and the student can interact with the book's content making conscious effort for highly motivated and focused manner for improvement.

  7. #181

    User Info Menu

    [QUOTE=Mick-7;1453573]This is from a book sample I found online.....

    Attachment 130317

    The notation used in the page above has been around a long time, I first encountered it in big band charts in college over 50 years ago. They suggest particular rhythms, e.g., the notation of the eighth note tied to the "diamond" note in the 1st/2nd bars indicates a dotted whole note that starts in the first measure and is held over into the 2nd measure. In this instance, the diamond is a whole note but it's also used to represent a dotted half note in the first bar (a stem is added to the diamond to indicate a half note).

    The sample did not include the book's appendices, which I would think explains the notation symbols used in the book? If it doesn't explain them all, it would be a deficiency.[/
    QUOTE]


    Yes..this would be a good inversion study in the minor 6 / dom9th/7#5b9/min7b5 chords .. replace the half-diminished chord symbol with an Eb9/G may help understand the progression (but not much)

  8. #182

    User Info Menu

    Quote Originally Posted by Mick-7
    This is from a book sample I found online.....

    Attachment 130317
    Quote Originally Posted by wolflen
    Yes.. this would be a good inversion study in the minor 6 / dom9th/7#5b9/min7b5 chords .. replace the half-diminished chord symbol with an Eb9/G may help understand the progression (but not much)
    Judging by the book sample, the material is presented in an overly scholastic way for a "beginner" book, e.g., I wouldn't name all the chords in the example above, since some of them are a product of voice-leading - maybe if it was a chord melody book.

  9. #183

    User Info Menu

    This is great reference book (it's less of a course as the title suggest) for many topics.

    Your Best Must Have Jazz Guitar Books?-00294731-wl-jpg

  10. #184

    User Info Menu

    Came across this FREE eBook on Scales and Arpeggios, and looks good. Anyone owns / using it? Any comments on it?

    FREE Arpeggio and Scale Resource PDF (400+ pages)
    Reddit - The heart of the internet

  11. #185

    User Info Menu

    Quote Originally Posted by dharma2020
    This is great reference book (it's less of a course as the title suggest) for many topics.

    Your Best Must Have Jazz Guitar Books?-00294731-wl-jpg
    Why and in what respect is this great reference book?

  12. #186

    User Info Menu

    Quote Originally Posted by GBRow
    Came across this FREE eBook on Scales and Arpeggios, and looks good. Anyone owns / using it? Any comments on it?

    FREE Arpeggio and Scale Resource PDF (400+ pages)
    Reddit - The heart of the internet

    This looks like a great resource. The caged shapes for arpeggios and scales are exactly what I need to double check my own charts.

    direct link

  13. #187

    User Info Menu

    Quote Originally Posted by AllanAllen
    This looks like a great resource. The caged shapes for arpeggios and scales are exactly what I need to double check my own charts.

    direct link
    Yes indeed. I did some reading on it last night, and found the writing style is excellent and the content has depth and clarity. The diagrams were clear easy to see. Being in PDF format means it can be expanded if needed. It is a massive 400+ pages book, which is impressive. I thought it would be a good learning resource. Not sure if it would be available in paper book format. There seem to be good FREE online learning / reference resources available like this one, it is cool.

  14. #188

    User Info Menu

    Joe Pass Guitar Style

    The Barry Harris Approach for Guitar (Alan Kingstone’s book)

  15. #189

    User Info Menu

    Quote Originally Posted by Mark M.
    Joe Pass Guitar Style

    The Barry Harris Approach for Guitar (Alan Kingstone’s book)
    Yes, I have Joe Pass book, and it is a great book to work with.

    The BH book was unknown to me. Did a quick internet search and found a FREE downloading site for the EBook copy.
    It looks good book too. Thanks for your recommendation.

  16. #190

    User Info Menu

    The excellent "Guitar Basics" book seems to be aimed at my level of incompetence:

    (As recommended by Christian)

  17. #191

    User Info Menu

    Allan Kingstone's Barry Harris book is a very advanced book. More advanced than meets the eye at first. Like almost all Barry Harris material, it doesn't teach you what to play, instead it shows a bunch of germinal ideas that open the door for self exploration. Thomas Echols, for example, produced a lot of material on harmony and counterpoint just based on the "Expand and Contract" concept which is less than two pages of the book.
    Last edited by Tal_175; 03-27-2026 at 08:35 AM.

  18. #192

    User Info Menu

    Quote Originally Posted by Tal_175
    Allan Kingstone's Barry Harris book is a very advanced book. More advanced than meets the eye at first. Like almost all Barry Harris material, it doesn't teach you anything, instead it shows a bunch of germinal ideas that open the door for self exploration. Thomas Echols, for example, produced a lot of material on harmony and counterpoint just based on the "Expand and Contract" concept which is less than two pages of the book.
    Great stuff from both of them but yeah … very deep wells you go back to many times

  19. #193

    User Info Menu

    Quote Originally Posted by GBRow
    Why and in what respect is this great reference book?
    It contains many of the essential topics: chords, harmony, scales but also phrases and licks to demonstrate the concepts. You don't have to work through the book linearly, you can just pick a topic and work on that.

  20. #194

    User Info Menu

    David Berkman's The Jazz Harmony book I think is the best resource to study jazz harmony. It's very applied and grounded in the harmony of the standards. There is also a separate section dedicated to post-bop harmony.

  21. #195

    User Info Menu

    Quote Originally Posted by Tal_175
    David Berkman's The Jazz Harmony book I think is the best resource to study jazz harmony. It's very applied and grounded in the harmony of the standards. There is also a separate section dedicated to post-bop harmony.
    Isn't it book for PIANO?

  22. #196

    User Info Menu

    Quote Originally Posted by dharma2020
    It contains many of the essential topics: chords, harmony, scales but also phrases and licks to demonstrate the concepts. You don't have to work through the book linearly, you can just pick a topic and work on that.
    Yes, it looks excellent book for reference. Thanks for your info on the book.

  23. #197

    User Info Menu

    Quote Originally Posted by GBRow
    Isn't it book for PIANO?
    No, it's instrument agnostic. It's written by a pianist but most jazz harmony books are.

  24. #198

    User Info Menu

    I'd think there should be an exceptional interest in
    those jazz guitar books CC, JR, and WM liked most.

  25. #199

    User Info Menu

    Quote Originally Posted by Tal_175
    David Berkman's The Jazz Harmony book I think is the best resource to study jazz harmony. It's very applied and grounded in the harmony of the standards. There is also a separate section dedicated to post-bop harmony.
    I’ve really enjoyed Jazzology too.

  26. #200

    User Info Menu

    Quote Originally Posted by GBRow
    Yes, it looks excellent book for reference. Thanks for your info on the book.
    All harmony books will strongly encourage plunking at a piano. Harmony is visible there in a way that it isn’t so obviously on guitar.