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Yup, and not only with Pat, same thing with Stern, who also used delays rather than chorus back then.
Originally Posted by Doctor Jeff
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05-11-2020 07:03 PM
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Originally Posted by greveost
Originally Posted by greveost
While it's true that both Stern and Metheny got the effect by using delays, the distinction always felt a little precious to me. If the effect to the listener come across as a chorus effect, then the technicalities of how they go about creating is is only really relevant to them.
Originally Posted by Doctor Jeff
I do wonder though, whether that's why Stern imho consistently sound better live in a room than on records - perhaps it's a hard effect to capture.
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Purpose? The sound of the guitar in popular music has changed drastically since the 60s. Jazz Guitar has remained virtually stagnant soundwise. To the purist it's supposed to sound not much different than Charlie Christian of the 40s, or Wes, or Pass or Hall or Burrell. That's all fine and good, but technology and sound have changed. People who are forward thinking guitarists look for new sounds. That's all.
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Khraungbin!
Originally Posted by Stevebol
Man, I love them.
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The Joe 'n' Herb clip makes a dry martini seem like a Diet Coke.
Originally Posted by mr. beaumont
I like the Gilad tone a lot.
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The old jazz was pop, too.
Originally Posted by Stevebol
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yeah I might have bought one and also the same pickups....my favorite band.
Originally Posted by christianm77
My favorite wettish player lately is Adam Rogers. He sort of does one thing but nails it.
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Hardly. Have you heard his group Dice. He does a lot more than one thing. Yeah he’s like my fav too.
Originally Posted by sully75
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