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It’s just a C minor blues, like many jazz blues. What’s got my attention is the piano solo. Triads and arpeggios up and down, smoothly and musically. Chromatic ascending major 7 arpeggios, in a minor blues! When you think on it there’s no issue there. After all, any maj7 can be considered a minor triad with a different launch point, as but one of many ways to view any chord really. But it gives me an avenue of practice for fluid motion across the fretboard.
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05-29-2026 03:27 PM
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You're right, it's good.



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