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If it's good enough for Pete Bernstein it's good enough for me.
Originally Posted by M-ster
Jordan K not like it though :-(
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08-13-2018 10:56 AM
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interesting, i guess that’s what im doing when i play E7 for G7.
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Yes - except I wouldn't play E7 - Cm :-)
Originally Posted by joe2758
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You should. It’s wizard japes.
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It's crap. I'd arpeggiate an E7 over G7 going to C major... that's quite japey.
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explain
Originally Posted by christianm77
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what’s the problem Rag? the E? You said the maj13 worked
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E7 with root in bass to cm6 with 3rd in bass or E7 woth 7th in bass to cm6 root position
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It's not VERY japey. It's a bit milk and two sugars.
Originally Posted by ragman1
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godammit miller explain your cryptic euro slang
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this whole situation is pants
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Whoa, you got pants?
Originally Posted by joe2758
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I mean to say; it's great larks.
Originally Posted by joe2758
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Originally Posted by mr. beaumont
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what is happening!?!?
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then we got beaumont over here who says SHITE for some reason
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So what is your current approach? What are you currently playing for chord voicings on minor 25?
Originally Posted by Babaluma
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Quite so, perhaps a trifle bland.
Originally Posted by christianm77
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But a G13b9 does not an E7 make.
Originally Posted by joe2758
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it’s missing 2 notes, but it’s not like it adds anything outlandish (or at all for that matter)
Originally Posted by ragman1
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It's not the notes, it's the impression.
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By the way, wizard = brilliant, jape = joke, prank. So a wizard jape is a brilliant prank. He wasn't being entirely serious, of course :-)
(It's early 19-something Brit upper-class speak. Or it might be Harry Potter, borrowed from that era)
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dammit! haha i thought he was on my side
Originally Posted by ragman1
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Fancy a cheeky Nando's?



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