1) The first pattern starts with a chromatic approach of the 3rd. It ends on the 6th of C major.
2) This pattern starts with a chromatic approach of the tonic and follows with a C major triad arpeggio.
3) Here an E minor 7 arpeggio is used as a substitute for Cmaj7. The b7 of the Em chord sounds as a 9 for the Cmaj7 chord.
4) A chromatic line from the 3 to the 5 via the 6.
5) A lot of chromatism around a Cmaj6 arpeggio.
6) Pattern on an Em triad.
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