Welcome to the Jazz Guitar Forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features.
By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!
If you have any problems with the registration process or your account login, please contact contact us.
| 
01-14-2010, 12:37 PM
|  | | | Join Date: May 2009 Location: Kelowna, BC Canada
Posts: 4,107
| | Quote:
Originally Posted by Fritzjazz We had learned in college with respect to pitch that a good violinist (or any other instrument for that matter that can alter pitch micro-tonally) will play a leading tone sharp. For instance a violinist playing in G minor will play the F# extra sharp so that it "craves" to resolve home to G. | That interesting. In just intonation a leading tone's frequency is 15/8 = 1.875 times the frequency of the fundamental, while in equal temperament it is 2^(11/12) ~= 1.888, so a little sharper already. Maybe there's some psychology (craving) happening here to want to push it even sharper. | 
01-14-2010, 07:09 PM
| | | | Join Date: Jul 2009 Location: Eureka, CA, USA
Posts: 1,789
| | The opposite approach is also quite effective. Vocalists, for example, dobro and bottleneck guitarists usually deliberately flatten the last note in a melody line then slowly sharpen to pitch (usually combining vibrato). | 
03-09-2010, 11:28 AM
|  | | | Join Date: Mar 2008
Posts: 234
| | how do big bands and large orchestras tune up? does everyone use their own electronic tuner? how much time do they spend tuning up, on average? | 
03-09-2010, 12:36 PM
|  | | | Join Date: Apr 2009
Posts: 431
| | They usually tune to the piano in a big band. As far as the horns, the lead players will tune first, then the sections will tune to the lead player. In an orchestra, each section gets an A from the oboe, then tunes from there. | 
03-16-2010, 12:43 PM
|  | | | Join Date: Mar 2008
Posts: 234
| | why the oboe? | 
03-16-2010, 12:51 PM
|  | | | Join Date: Dec 2009 Location: Montreal PQ
Posts: 984
| | Quote:
Originally Posted by Stringbean why the oboe? | It is the hardest to tune.. 
__________________ Volume IS tone. | 
03-16-2010, 12:58 PM
|  | | | Join Date: Apr 2009
Posts: 431
| | Yeah, the oboe is the most susceptible to temperature and humidity changes. | 
03-16-2010, 01:53 PM
|  | | | Join Date: Mar 2008
Posts: 234
| | and what about the conductor, does she get involved with the tuning as well? | 
03-16-2010, 02:48 PM
|  | | | Join Date: May 2009 Location: Kelowna, BC Canada
Posts: 4,107
| | Quote:
Originally Posted by Stringbean and what about the conductor, does she get involved with the tuning as well? | Adjust the baton's length?
If I recall correctly, the Concert Master (usually the senior 1st violin) is in charge of that. The Conductor doesn't come out on stage until after tuning is done. | | Thread Tools | | | | Display Modes | Linear Mode |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |