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Here we go, grahambop's first request here.
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07-07-2022 05:55 PM
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Here’s a reasonable chart I found in case anyone needs it. The only thing I would change is to make the 2nd chord of each A section an Ab diminished.
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As far as I remember, I recorded "O grande amor" 22 years ago with the World Strings Trio - it was the best guitar album of the year-2000.
Live in Rabarbar - The World Strings Trio | Muzyka, mp3 Sklep EMPIK.COM
Last edited by kris; 07-13-2022 at 07:59 AM.
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Sounds good kris. Now I need to get on and learn this tune seeing as I chose it!
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Originally Posted by grahambop
It is not a difficult tune and has a beautiful lyrical melody-tune made for guitarists.
Good Luck
Kris
ps.
I made my new version with video/today morning/.
I public it later this evening.
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Yeah I was kidding really, although I find getting the rhythmic feel of the melody right needs some care. I think I’ll do it on my classical guitar, it’s the only way!
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Phew, we’re experiencing bossa-nova weather here, too hot to feel like playing guitar at the moment!
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I haven't had time to get to this one after gigs on Thursday, Friday and yesterday. And I'll be away from a guitar until next week, which is the longest I've gone without playing in a very long time. I just cleaned and put away my guitars, so I dashed off a gently massaged head - but I don't have time to play with more as we're on our way out the door. Many thanks to Wintermoon, who is once again covering for me this week.
Here's a little bit o' solo samba:
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Originally Posted by grahambop
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Originally Posted by Reg
However, there are a lot of versions where there are other changes - that's true...but 29 bar I think is Bbmaj7...in bar 13 is Bb7/dominant/.
I have to analyze Stan Getz versions-he plays great changes...looks like in 5 bar is B7 instead of Bm7b5...in 11-12 bars is C9...:-)
Last edited by kris; 07-12-2022 at 03:51 AM.
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Pat plays over normal chord changes ...
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Spent a few minutes with the Getz/Gilberto version. Tried to isolate the guitar. Here's what I'm hearing, a few maybe surprises?
Big differences would be the F-6 in bar 6...the guitar and bass do not go to an E there. Very specific voicing, D on top.
Bar 23 and 24 are A7b9, no ii V.
Bar 29 is a Bb7, and again, no ii V, straight to an E7b9.
My 2 cents. Great tune. Now I need to learn the melody!
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Originally Posted by mr. beaumont
Fm6 looks like substitute chord for E7#5 with F in bass.
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Greetings from the Cascades! No guitar for 8 more days……I may have to go buy one to survive.
This beautiful melody is so open to innovative chord substitution that I doubt if even those who made the best known recordings can resist a little innovation. The C in the melody that’s held through bar 3 loves a Gm7 because it makes a sus4 out of it. I love the 2nd bar with the G13b9 / Ab, but in my little verse I played it as a partial (Ab F B E) without the 9th because it felt right. Such opportunities abound throughout.
There are several great ideas in this thread - try them all. This is a very educational tune!
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This is a nice version where you can hear the chords very clearly. Bars 5 and 6 as I heard them on the Getz/Gilberto, a good ol Em7 in bar 27, very clear Bb7 in 29.
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Originally Posted by nevershouldhavesoldit
The Getz version is my favorite. I think Trane said something like "face it, we all wish we could sound like Stan if we could"
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Finally got this here guit'r back from the shop after a pickup swap and proper setup.
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Originally Posted by wzpgsr
You must take a break more often :-)
* I don't buy cappuccino, half a cup of coffee and half a cup of froth? It's a rip-off!
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Two choruses of improvisation after chord changes modification...:-)
Box
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Originally Posted by ragman1
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Originally Posted by kris
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Despite the heat, finally managed it! (I recorded the backing first). Actually this is the first time I've used my classical guitar in a video.
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Is E7/F the same as Fo?
Chameleon
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