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When playing with backing tracks, I can be sure that no one will make a mistake.
Various strange things happen in real jam sessions...
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05-05-2022 01:45 PM
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Playing through distractions is highly important. This is because live performance is almost nothing but distractions. I practice while reading stuff on the computer and whatnot. You have to divide your attention, to a degree - part of your mind handles playing the song, another part keeps an eye on that brooding guy in the back, another part appreciates the moves of the dancers in the front, anther part is waiting for the nod from the leader that says, "You're up. Don't blow it!" it's complicated.
Originally Posted by mr. beaumont
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emanresu -
Has 'soft' been properly defined yet? What do you actually mean by that?
(I think you mean that certain chords with added or altered voicings are hard to distinguish. Would that be right?)
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+1
Originally Posted by citizenk74
This is it.
Best
Kris
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Soft---may be software.
Originally Posted by ragman1
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No. Count me in as another one who thinks chord extensions and substitutions don't bring that much to the table.
Originally Posted by emanresu
We may be a minority within the community of jazz enthusiasts, though!
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I sometimes feel that the soft notes are distracting
Originally Posted by citizenk74
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I would meet you halfway on that. I love the different flavour that an added note, or a good sub can bring to a tune, but, and I think this is what the OP is getting at, it's possible to go way too far. I don't think of it as marshmallow, I think it can be like wading through treacle.
Originally Posted by Howzabopping
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The ear is key! I try to work on improving it each and every day!
Originally Posted by mr. beaumont
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Originally Posted by seventhchord251
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To those who want to learn to play jazz, I say. "Learn songs." You are what you play. Your song list is your musical identity. All you need to know is in the songs. Learn songs!
Originally Posted by mr. beaumont



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