
Originally Posted by
James W
I think I ought to continue to chipping away at the systematic baseline stuff that develops chops and hearing alongside developing the things that make solos sound like music. Both your answers seem like an either/or. I suppose I pondered on this topic just because sometimes in doing the exercises it's not immediately obvious how or whether they're beneficial. But to allude to what Cliff said, these things are like a necessary but not sufficient aspect of improvising jazz. A bit like the foundation of a house - inconspicuous and in and of itself not much use, except as a precondition of the house (the house being all the nice phrasing and articulation etc. that you mention, all the musical stuff).
Jack.Wilkins birthday tribute- "My Foolish Heart" by Jeff...
Yesterday, 11:17 PM in The Players