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On the other hand, one might think of minor conversion not as a gateway to the traditional bebop language but as a gateway to, at least, one sub-genre of post-60's straight-ahead style. A guitaristic approach to harmony that evolved in that era. I don't know how historically accurate that is but that's why we have Christian on the forum.
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09-06-2025 07:29 AM
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A good skill to cultivate is to be able to play any idea over any chord
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Well it’s not like I have definite answers to how things developed or how everyone has thinking even if that were possible- but to me it looks like Charlie Christian was thinking about minor on dominant most of the time even where it goes against the prevailing key.
Originally Posted by Tal_175
His influence can’t be overstated.
So I think guitar players tended to plough a slightly different furrow from the horn players…
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Yeah Grant Green overwhelmingly favors minor shapes. Wes is more omnivorous, but I feel like if you tallied it up it would be a bit more minor looking things.
Originally Posted by Christian Miller
I think they just sit really well on guitar.
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As well they should: it's a different kind of instrument.
Originally Posted by Christian Miller
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Mr. Pat Martino was a musical genius. If you've heard Mr. Martino play, you can honestly say you've heard a musical genius play guitar. My advice, whatever he's teaching, learn it well.
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Most of Pat Martino teaching videos are confusing and over complex. His 'Linear Expressions' book is easier to understand in comparison. (IMHO)
Originally Posted by AdroitMage

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This is out of my wheelhouse but I remember years ago when I was trying to learn it (I didn't get very far), but Barry Greene had a lot of educational material that uses this approach. I found it useful. Pat Martino type stuff but easier to digest.
Originally Posted by GuyBoden
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Yeah conceptually very simple and a really great learning tool, but Pat Himself certainly wasn’t the best communicator.
Nobody’s perfect.
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I am under the impression that minorization is a strictly guitaristic concept because of how the minor lines layout nicely on the instrument. I think horn and piano players lean more towards dominization, so to speak, to the extend that they apply this type of superimposition.



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