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I don't know what you mean by pentatonic pairs. Do you mean, for example, alternating phrases from one scale and then the other? So, over Amin, playing a phrase from Am Pent (A C D E G) then a phrase from Em Pent (E G A B D)? That seems very consonant to me. What about something a little crunchier, a little more tension?
Originally Posted by IbanezAS100
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06-26-2010 12:52 PM
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Yes, that's what I meant and you're right,these notes will be consonant, as they're entirely diatonic. The initial post was about the 'right' notes to play. I was thinking more about cool ways of organizing lines and creating patterns with familiar material, and funnily enough many of the lines that the players who I mentioned play are entirely diatonic-it's the complex harmony that makes them sound fresh and modern. Also, as this is a modal progression, it feels appropriate to use some pentatonics (think Joe Henderson, Wayne, Coltrane etc)...
Originally Posted by BigDaddyLoveHandles
If however, you wanted a bit of tension (as the solo progressed), and obviously depending on harmonic rhythm, space etc, one of the infinite options is:
For m7 chords, root min pent and maj pent on the 2nd (Am, B)
(only one tension-raised 4/11, 9, 13 or Dorian raised 4 sound)
For maj chords, maj pent built on root and 2nd (Lydian sound)
My favourite approach is even simpler, with just triads (e.g.same pattern as above)
..and we could probably spend the rest of our lives finding more ideas to play over this!!!!!
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That's what I was looking for. Sounds cooler, thanks!
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I need more coffee...



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