The Jazz Guitar Chord Dictionary
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  1. #76

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    Quote Originally Posted by Jazz_175
    Are "ordinary" people able to distinguish Richlite from ebony?
    Absolutely. Go to sell a "richlite" vs. ebony fretboard guitar, and feel how much lighter your wallet feels after a richlite sell vs. ebony - not to mention the extra length of time to find a buyer

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    The Jazz Guitar Chord Dictionary
     
  3. #77

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    Quote Originally Posted by Jazz_175
    Are "ordinary" people able to distinguish Richlite from ebony?
    Visually sure, sound? Only if they can feel a pea under their mattress :-)

  4. #78

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    Quote Originally Posted by Marwin Moody
    Those who believe that the fingerboard material matters.... explain to me, how? The wood is glued to the neck which is glued to the body. I understand there would be a difference if the string touched the wood but.... it doesn't!
    The fingerboard is solidly bonded to the neck, and as such contributes to the overall stiffness and density of said neck - which absolutely affects sustain and harmonic content.

    I don't necessarily have a universal bias towards maple, rosewood, ebony, pau ferro, or other tone woods - but they do all have a sonic footprint. It's not a huge deal, but neither is it B.S.

    And... strings don't touch the guitar's wood body or neck at all, you know? They only touch nut and bridge. So that's not a factor. The medium over which the strings are strung matters.
    Last edited by rpguitar; 01-13-2016 at 06:31 PM.

  5. #79

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    Quote Originally Posted by Marwin Moody
    I played a friend's Martin (incidentally, also his name) guitar and liked it very much. I remarked to him how great the fingerboard material was in appearance and was surprised it was synthetic.

    Those who believe that the fingerboard material matters.... explain to me, how? The wood is glued to the neck which is glued to the body. I understand there would be a difference if the string touched the wood but.... it doesn't!

    As soon as you fret a note that fret that's in the fretboard is now the end point transferring the string vibration through the neck to the rest of the guitar. Everything that vibrates is part of the sound production of the guitar.

  6. #80

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    anyone who plays fenders, knows there is a vast difference between a maple fretboard and a rosewood..the maples got spank..the rosewoods got warmth...why twangers like maple...you dont see james burton with rosewood...


    cheers

  7. #81

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    do we think the es275 body size/shape is the
    same as a lee Rit ?

  8. #82

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    There are still no specs. available as of today, at least as far as I could tell! Bob

  9. #83

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    Photo lifted from Gibson's website:

    2016 Gibson ES-275-image-jpg

  10. #84

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    Quote Originally Posted by Marwin Moody
    The strings don't actually touch the wood, though. Its material is irrelevant.
    You must be joking. Did you forget the smiley?

  11. #85

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    Do you not know how frets work?

  12. #86

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    Even these :
    2016 Gibson ES-275-strat-usa-american-artist-yngwie-malmsteen-3s-mn-vintage-white-hd-2-79951_1-jpg ?
    Maple, not ebony

  13. #87

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    some specs- (hysterically translated via google) ie. "adiron duck spruce"! (tastes like chicken) hah

    ES-275, which has been developed to incorporate Japanese music stores demand

    Please tell us about 2016 of Gibson Memphis.
    As an example, "ES-275F" in the new model, let me explain the features of the new specification. This guitar is a model in which the demand from the Japanese musical instrument store that led. While maintaining the Gibson likeness, it is a compact jazz guitar that matches the modern music.
    ? ES-275F
    It is like atmosphere has been designed like in the 50s.
    This traditional Gibson style. Neck has dropped a little thickness the Les Paul model in 1959 as the base. Since the neck many musicians prefer similar, we have reflected on the main models of 2016.
    What fret?
    As with until now, it has been processed to feel like a guitar that has been incorporated to play in four of worker us. In fact, even I am planning wide-fret model of '60s style. Width at 2.54mm, is fret height of about 0.9mm.
    Features of the internal structure?
    Table / back of the body is the same press molding and the ES-175. The two parallel Brace use Adiron Duck spruce. It is a 2-inch thick body thicker than the thin ES-335 than the ES-175.
    Please tell us about MHS humbucker.
    Magnet neck side uses Alnico III, Alnico II is the bridge side. And changing the number of coil turns of the two bobbins, power will have a little suppressed feeling. Potting is not. In PAF tone that has been arranged for the ES, it is the pickup of Memphis product only. And we're using the pot of 550k?.
    Why instead of 500k? 550k??
    The product has an acceptable range of error. This is from being mixed pot of less than 500K? in the range of the allowable error to order at 500K?. By order in its order 550k?, it is always placed in the hands sound manner good 500k? or more of pot.
    The basic difference of "ES-275F" and "ES-275" is?
    ES-275F is rich light finger board to Flame top and ES-355 type of decoration. ES-275 is ES-345 of decoration, and rosewood fingerboard.
    ? ES-275
    ES model of the past few years is particularly felt in the acoustic. Also became poplar is interposed between the plywood maple as 50s do you do when such from time.
    I think that I in 1984, which went into the Gibson had already been used poplar. Since I am originally acoustic builder, I might I have relationship that came to Memphis.
    Material that is used in the body-side, it seems a little thinner than the top material?
    That's right. Top / back material, 62/100 / 62mil ("see" is 1mil = 1/1000 ??? notation. That is 1.6mm / 2.5mm / 1.6mm), in order to side to facilitate bending, slightly thin 62/50 We use the plywood of /62mil(1.6mm/1.3mm/1.6mm).
    Last edited by neatomic; 01-17-2016 at 07:01 PM.

  14. #88

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    It is of the expected design regulation as we have thought us most of! I hope those aluminium cases arent the only case option. Bob

  15. #89
    icr
    icr is offline

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    Quote Originally Posted by Marwin Moody
    The strings don't actually touch the wood, though. Its material is irrelevant.
    You are talking about the top of a guitar, right?

  16. #90
    icr
    icr is offline

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    With respect to the second picture in post #88; What about that top bracing?? Multiple thin parallel strips? Or a block with grooves? Has anyone ever seen that before on a contemporary archtop?

  17. #91
    icr
    icr is offline

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    I'm not too impressed by the fake bumblebee caps. Kind of like a guitar with a lithograph of wood pattern on the top rather than real wood.

  18. #92

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  19. #93

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    Damn ... Thats Gibson is a pretty groovy guitar to my way of thinking ....
    (as long as its hollow)
    Those strips look suspiciously like a 335 tho
    probably a centre block ... shame , no cigar

  20. #94

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    Very different. That's a 17" guitar with a long scale fb. More like a 350/Tal than a 275.

  21. #95

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    I think the Groove Master Kenny Burrell model would be closer in dimensionshttps://reverb.com/item/126118-heritage-kenny-burrell-groovemaster-hollowbody-guitar-antique-sunburst

  22. #96

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    Those strips probably inhibit feedback - good idea. It's most likely a block with grooves, thinking in terms of production efficiency.
    A few builders have done this by carving a solid floating block as part of the top or glueing in something similar.
    - Musima Record
    - Gibson L-9
    - Yanuziello (on his rare carved-top semis)
    probably a few more.
    Last edited by Hammertone; 01-18-2016 at 06:02 PM.

  23. #97

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    Quote Originally Posted by Hammertone
    Those strips probably inhibit feedback - good idea. It's most likely a block with grooves, thinking in terms of production efficiency.
    A few builders have done this by carving a solid floating block as part of the top or glueing in something similar.
    - Musima Record
    - Gibson L-9
    - Yanuziello (on his rare carved-top semis)
    probably a few more.
    thanks , do you expect it to have an acoustic
    voice like half or 2/3 of a 175 or so ?

    if so it could make a nice vibey electric
    without too much feedback ....

  24. #98

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    Quote Originally Posted by pingu
    thanks , do you expect it to have an acoustic
    voice like half or 2/3 of a 175 or so ?
    if so it could make a nice vibey electric
    without too much feedback ....
    I don't know, but I'll find out when I play them at NAMM….

  25. #99

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    Quote Originally Posted by icr
    With respect to the second picture in post #88; What about that top bracing?? Multiple thin parallel strips? Or a block with grooves? Has anyone ever seen that before on a contemporary archtop?
    I think that's only for electronics example, not the structure. Note that the selector switch is in a different place that on the 275.

  26. #100

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    So these will be having the 24.75" scale length?